ASPECTS OF THE DIPTYCH | participation 3rd ArtCamp Siegen | initiator Thomas Kellner | 30.06.2018 | selection of works presented

 

 

© ww 2018 | SANGKAE CAM (questions to Cambodia) | edition | digitale Fotografie | digital photography | 02/2018 || © ww-2018  | JOY LUCK LOVE I & II – diptych | digitale Fotografie | inkjet pigmentiert | digital photography  |  pigmented ink jet print | edition | 02/2018 || © ww-2017  | – – – 1 | (the mystery of eternal growth) | diptych | digitale Fotografie | inkjet pigmentiert | digital photography  |  pigmented ink jet print | edition | 10/2017 || © ww-2014/2015  | selbst – biometrisches Passbild auf Bambus | self portrait | biometric id photo on bamboo | digitale Fotografie | inkjet pigmentiert | digital photography  |  pigmented ink jet print | 01/2015 || © ww 2015/16 | twilight-ICE I/II | edition | digitale Fotografie | digital photography | pigmented inkjet on Epson Archival Matte Paper | 30 x 45 cm |  09/2015 || © ww-2014 | wolfgang in der wiesche | escalated (PHOTO BEIJING 2014) | digitale Fotografie (2-teilig) | digital photography (diptych) | 10/2014 | edition of 30 | pigmented inkjet print on Archival Matte Paper | each 38 x 28,5 cm || © ww-2014 | wolfgang in der wiesche | RED CARPET I/II (PHOTO BEIJING 2014) | digitale Fotografie (2-teilig) | digital photography (diptych) | 10/2014 | pigmented inkjet print on Archival Matte Paper | each 28,5 x 38 cm || © TNeF/ww 2015 | SWITCHING-1 | to repot Japanese maple in Germany using Korean cutlery  | diptych | network screen and performance still | digital photography by Wolfgang in der Wiesche | 10/2015 || © TNeF/ww 2015 | WORK & ART | BLOOD MOON (for Katja the dog) | cleaning, red adhesive tape on painting by an unknown painter and it’s frame | diptach | digital photography by Wolfgang in der Wiesche | 10/2015 || © TNeF/ww 2015 | MIGRATION | LUDO | diptych | network screen and performance still | digital photography by Wolfgang in der Wiesche | 10/2015 || © TNeF/ww 2015 | NEWS ART | filling up 27 glasses of water (feeding my plants with it offline) | diptych | network screen and performance still | digital photography by Wolfgang in der Wiesche | 10/2015 || © ww-2014 | BAUMSPINNE | TREE SPIDER | digitale Fotografie (2-teilig) | digital photography (diptych) | 03/2014 | pigmented inkjet print on Premium Semigloss Paper | each 38 x 57 cm | edition of 30 || © ww-2013  |  condensed (diptych) | digital photography, pigmented inkjet print, 05/2013 || © ww-2013 | CHINA BIKE 1993-2013 | Digitale Fotografie, Diptychon | digital photography, diptych | Inkjet pigmentiert auf Epson Archival Matte Paper | pigmented inkjet print | je/each 28,5 x 38 cm || © ww-2013 | A (back to nature) | digitale Fotografie (2-teilig) | digital photography (diptych) | 08/2013 (photography 09/2011) | pigmented inkjet print on Archival Matte Paper | each 28,5 x 38 cm || © ww-2014 | wolfgang in der wiesche | DUESSEL WEST | DUESSEL EAST | digitale Fotografie (2-teilig) | digital photography (diptych) | 01/2014 (shot 2008) | pigmented inkjet print on Archival Matte Paper | each 28,5 x 38 cm || © ww-2007 | Wolfgang in der Wiesche | reflexion | digitale Fotografie (2-teilig) | digital photography (diptych) | pigmented ink jet print on archival matte paper | each 28,5 x 38 cm | edition 30 | shot Dec 2007 | 12/2007/2012 || © ww-2007 | thekkady – manipal | digitale Fotografie (2-teilig) | digital photography (diptych) | 02/2006 | pigmented inkjet print on Premium Semigloss Paper | each 38 x 57 cm | edition of 30 || © ww-2004 | 2015 | Bombay Children – Pavement Sleepers | digitale Fotografie | digital photography | shot 03/2004 || © ww-2003 | BOM BY NIGHT 1 | 2 | edition of 30 | digital photography, diptych | pigmented Ink Jet on Archival Matte Paper | Size: each 28,5 x 38cm | shot Jan 2003, Bombay/Mumbai, India

(click any image to open gallery view)

 

I’m happy that I have been invited again by initiator and art photographer THOMAS KELLNER for participation @ the 3rd ArtCamp Siegen 2018 | the images above were part of my presentation: ASPECTS OF THE DIPTYCH, following HYBRID – META at 2nd ArtCamp Siegen 2017 and Diversity/Plurality as an Artistic Strategy (2016)

Ich freue mich, erneut von dem Initiator und Künstler THOMAS KELLNER für die Teilmahme an dem 3. ArtCamp Siegen 2018 ausgewählt und eingeladen worden zu sein| die oben gezeigten Bilder waren Teil meiner Präsentation: ASPEKTE DES DIPTYCHONS nachfolgend meiner Präsentation HYBRID – META (2017) und meiner Präsentation Vielfalt als künstlerische Strategie (2016)

TEILNEHMENDE | PARTICIPANTS

Claudia Fährenkemper, Werne // Matthias Koch, Becherschüler, Bremen //  Thomas Kellner, Siegen // Ralf Litera, Sauerland // Daniel Schumann, Düsseldorf // Wolfgang in der Wiesche, Aachen // Amy Liu, Pingyao International Photography Festival, Shen Gubo, Taiyuan, China

PRINTS AVAILABLE – please contact me for original, prints or order from saatchi art

view portfolio  |  @  saatchi art  ||  @ Pollock-Krasner Foundation  ||  @ artward
Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

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About xtendedline
freelance painter, photographer, media artist as well as composer of music for experimental film, documentary, experimental theatre and performance art, independent projects // freischaffend als Maler, Grafiker, Fotograf, Medienkünstler und als Komponist und Musiker für Experimentalfilm, Dokumentarfilm, experimentelles Theater und Performance, freie Projekte

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