good news | been selected for puzzelink_evidenz.22 | [Schattenlichter] | HAMBURG | August 2019 | Aug., 13, Wolfgang in der Wiesche

puzzelink_2019

© courtesy puzzelink_evidenz, 2019 | [SCHATTENLICHTER] | flyer  I

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I’m thrilled to announce that I have been selected for the puzzelink_evidenz 2019 series [SCHATTENLICHTER] in Hamburg, August 2019 | thank you so much!!

Ich freue mich sehr, ausgewählt worden zu sein für die puzzelink_evidenz 2019 Veranstaltungsreihe [SCHATTENLICHTER] in Hamburg, August 2019 | vielen Dank!!

My personal event | Di, 13.08.2019 | 19 Uhr | experimental photography, music, text

Wolfgang in der Wiesche | liquid abstract plastic reflex | the beauty of dying species

© ww 2019 | from the series (in progress): plastic and faces | liquid abstract plastic reflex | drawing/ mixed media in progress, plastic bottle | mobile photography | all works | edition of 20 | pigmented inkjet prints on archival matte paper | 18 x 18 / 18 x 24 cm | WW 02/03/04/2019 | ongoing…

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click here for programme and details | [SCHATTENLICHTER]

click here for programme and details on Aug., 13 | liquid abstract plastic reflex

LOCATION

Farbwerke M6 Konterkaro
Marktstr. 6
20357 Hamburg

E-Mail: info@farbwerke-m6.de

2019-pe22-Flyer-v2

© courtesy puzzelink_evidenz, 2019 | [SCHATTENLICHTER] | flyer  II

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you can now also follow my work on instagram (just click)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

modular nomadic | acrylic painting | neue Arbeiten von | new works by | Wolfgang in der Wiesche

WW_modular

© ww 2019 | modular nomadic | Acryl auf Leinwand | acrylic on canvas | 40 x 50 cm | 06/2019

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you can now also follow my work on instagram (just click)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

films & performance | by Deborah Phillips | with Tobias Schmuecking live | music & sound design by Wolfgang in der Wiesche | @ ROBERT KOEPKE HAUS | Schieder-Schwalenberg | 27.07.2019

 

image courtesy © Deborah S. Phillips | still from: Santoor | experimental documentary, 13min., c, 16mm, 1998 || Capsium | animation, 11 min., c, 16mm, 2008 || IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

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ROBERT KOEPKE HAUS | Schieder-Schwalenberg | presents

COLOURS & COLLABORATIONS by DEBORAH S. PHILLIPS, together with TOBIAS SCHMÜCKING in presence

COLOURS & COLLABORATIONS offers different layers and aspects to deal with cinematic and animated problems as well as pattern, textures and color developed in the dark room of the film strip itself in an active dialogue with music and sound. The program also includes the premiere of the 16mm, single 8 and slides performance VERDE VERMELHAR (Green turns Red, 2019).

I looked for films in which colors, textures, light and
time were more important than people and stories.
(Deborah S. Phillips)

DEBORAH S. PHILLIPS (de) is an artist who has been working on celluloid since the early nineties and various analogue media, including printmaking, tiny collages in slides frames as well as 35mm and 16mm film, drawing, handmade books, etc. She has been & still is active in several artists-run organisations. See: deborahsp.wordpress.com

TOBIAS SCHMÜCKING (de) is a filmmaker and musician. His analogue films explore the fields between experimental and narrative; in his musi,c he transforms fragments of melodies and chords into soundscapes. See: http://www.schmuecking.com

WOLFGANG IN DER WIESCHE (de) is an artist who works with a wide range of media (more than there’s space for here). See: https://xtendedline.wordpress.com

RK_HAUS

image courtesy © Robert Koepke Haus 2019

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PROGRAM

INTRODUCTION (english) | Deborah S. Phillips and Tobias Schmücking

SANTOOR | 1996 | 35 to 16mm | color | sound | 13’00 | Music: Nandkishor Muley & Wolfgang in der Wiesche
Nandkishor Muley moves between countries, musical styles and different fields. This is a commonality with Deborah: over a few years, he insisted that she make a film about him…

CAPSICUM | 2008 | 16mm | color | sound | 11’00 | Sound / Composition: Ruth Wiesenfeld | Music: Wolfgang in der Wiesche.
The associations vary widely when it comes to the colour red. This film marks the beginning of Deborah’s colour research

IM GRÜNEN BEREICH | 2017 | 16mm | color | sound | 13’50 | Sound: Wolfgang in der Wiesche & Ruth Wiesenfeld
If everything is alright in German, it’s in the green zone

TORNASOLADA SORORIDAD DADA | 2019 | 16mm | color | silent | 3’00 | by D. S. Phillips & Melina Pafundi
A collaborative exploration of the aesthetic of passing an object on and collaboratively manipulating developing chemicals…

VERDE VERMELHAR (Green turns Red) | 16mm & single 8 & slides | color | live & recorded sound | ca 20’00
At a meeting of analogue film artists, Bains argentiques in 2016, in Nantes, three colleagues Ж, Deborah & Tobias began to explore aspects of this complementary colour combination on a number of levels. The nature of language and misunderstanding through translation plays a crucial role.
Ж, who, among other things, came up with the title, can not be in Brussels because he lives & works in Brazil. He is, nonetheless, an essential part of this exploration of the dynamic of complementary contrasts.

Q&A
with Deborah S. Phillips, Tobias Schmücking

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

BUS STOP | THAI MOON | photography | Fotografie | neue Arbeiten von | new works by | Wolfgang in der Wiesche

WW_BUS_STOP

© ww 2018 | BUS STOP | edition | digitale Fotografie | digital photography | 01/2018

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WW_THAI_MOON

© ww 2018 | THAI MOON | edition | digitale Fotografie | digital photography | 01/2018

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see also my previous post:

© ww 2018 | night journey I/II | edition | digitale Fotografie | digital photography | 01/2018

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you can now also follow my work on instagram (just click)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

the singing image | participation 4th ArtCamp Siegen | initiator Thomas Kellner | 23.06.2019 | selection of works presented

© ww 2004-2019 |(1) dad and mom icecream duett 2004 | 05/2004 || (2) mom’s hands | edition | 12/2018 || (3) VATER HEINZ I | edition | 12/2018 || (4-11) from the series: Deborah printing (Kunstquartier Bethanien, Berlin) | edition| 08/2018 || (12-16) wired I-IV (in the wireless age) | edition | 01/2018 || (17-19) duo | friends | ganja dog | (BKK streets) | edition | 01/2018 || night journey I/II | edition | 01/2018 || (20-21) K wavin’ at me | K @ me | edition | 02/2018 || (22) missed it | edition | 04/2019

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I’ve been invited once again to participate @ the 4th ArtCamp Siegen 2019 after participating @ the 1st ArtCamp Siegen 2016 and the 2nd ArtCamp Siegen 2017 and the 3rd ArtCamp Siegen 2018 hosted by artist and photographer THOMAS KELLNERthe images above were part of my presentation: the singing image (from private to street photography), following ASPECTS OF THE DIPTYCH (2018) | HYBRID – META at 2nd ArtCamp Siegen (2017) | Diversity/Plurality as an Artistic Strategy (2016)

Ich freue mich über die erneute Teilnahme am  4. ArtCamp Siegen 2019 nach der Einladung und Teilnahme an dem 1. ArtCamp Siegen 2016 , dem 2. ArtCamp Siegen 2017 und dem 3. ArtCamp Siegen 2018 von Künstler und Fotograf THOMAS KELLNER | die oben gezeigten Bilder waren Teil meiner Präsentation:the singing image (from private to street photography), nachfolgend meiner Präsentationen ASPEKTE DES DIPTYCHONS (2018)| HYBRID – META (2017) und meiner Präsentation Vielfalt als künstlerische Strategie (2016)

TEILNEHMENDE | PARTICIPANTS

Daniel Schumann, Düsseldorf // , Martin Schäpers, Siegen/Köln // Lutz Matschke, Berlin/Patagonia // Pierre-Louis Martin, France // Ferit Kuyas, Switzerland // Wolfgang in der Wiesche, Aachen // Lia Dostlieva, Ukraine // Bethany de Forest, Amsterdam // Thomas Kellner, Siegen // Ziran Ning, Dai Fei and Huan Zheng, China

you can now also follow my work on instagram (just click)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de