IM GRÜNEN BEREICH @ Künstlerverein MALKASTEN, Düsseldorf, 26.11., 19:00h | film by Deborah Phillips | with music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017

(open in new window to view full size)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

Animationen | Projektionen und Loops | NOV 26, 2019

Künstlerkeller

26. November, 2019 ab 19 Uhr

Künstlerverein Malkasten

Jacobistraße 6a
40211 Düsseldorf

20 Uhr: Screening mit Moderation (Ute Reeh + Myriam Thyes) und Gespräch

mit Arbeiten von: Naomi Akimoto, Nora Al Shamery, Baggenstos / Rudolf, Adnan Balcinovic, Gudrun Barenbrock, Matthias Beckmann, Aleksandra Belic, Sebastian Bertalan, Birgit Brebeck-Paul, Kim Collmer, Camilo Colmenares, Matthias Danberg, Katja Davar, Christian Deckert, Martin Dege, Andrea Dietrich, Vin Dietsch, Juliane Ebner, Pauline Flory, Lenia Friedrich, Horst Gläsker, Biniam Graffé, Manuel Graf, Kerstin Gramberg, Karin Hochstatter, Gabriele Horndasch, Suse Itzel, Timo Kahlen, Hanna Koch, Julia Kosslers, Norbert Kraus, Jana Kurashvili, Friedrich Ludmann, Stefan Lux, Anna M’barek, Diana Menestrey, Igor Shin Moromisato, Svann Langguth / Matthias Neuenhofer / Dirk Specht, Kyne Uhlig + Nikolaus Hillebrand, Mariangela Pfahler, Deborah Phillips, Ute Reeh, Daniela Risch, Ingrid Roscheck, Anna Rupp, Volker Saul, Christine Schulz / Ingo Rabe, Jörg Steinmann, Stragholz / Steinhorst, Myriam Thyes, Olga Titus, Lioba von den Driesch, Adriane Wachholz, Lisa Weber, Anne Wissmann

11_2019_ANIMATIONEN-1.jpg

image courtesy © MALKASTEN, 2019 | flyer

(open in new window to view full size)

find more information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

short notice | cloud love boat & I Wish My Beautiful Dream Will Never End | @ Videoscreening 1 | Osnabrück | Oct., 18-20, 2019 | music/ sound design by Wolfgang in der Wiesche

 

© ww/ngg 2016 | cloud love boat, video stills | 1-channel video, 02:30 min | cooperation with Nikolaus Gojowczyk-Groon | 2016

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two video works | cloud love boat | I Wish My Beautiful Dream Will Never End | will be screened @ Videoscreening 1 | Gesellschaft für zeitgenössische Kunst Osnabrück e. V. | Kunstraum hase29 | Oct., 18-20, 2019

many thanks to organizers Werner Kavermann and Azim F. Becker

cloud love boat | 1-channel video, 02:30 min | by Wolfgang in der Wiesche and Nikolaus Gojowczyk-Groon | 2016

I Wish My Beautiful Dream Will Never End | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

EVENT INFORMATION

Videoscreening 1 | Über Bildschirme, großflächigen Projektionen und einer installativen Arbeit werden unterschiedliche Videos und Kunstfilme von KünstlerInnen gezeigt. Dabei handelt es sich um abstrakte, erzählerische, performative und gezeichnete Filme, die das Wochenende ab Freitag, 18.10.2019 bis Sonntag, 20.10.2019 zu sehen sein werden. || Various videos and art films by artists will be shown via screens, large-scale projections and an installative work. These are abstract, narrative, performative and drawn films that will be shown over the weekend from Friday, 18.10.2019 to Sunday, 20.10.2019.

Werke

„Handschlag“ – Werner Kavermann, 2015
„Was macht die Kunst“ – Werner Kavermann, 2015
„Cloud Love Boat“ – Wolfgang in der Wiesche. Nikolaus Gojowczyk-Groon, 2016
„Misere“ – Melanie Harder, 2019
„Im Spiegel“ – Melanie Harder, 2019
„Neighbors“ – Ella Malin Visse, 2019
„Wespen“ – Ella Malin Visse, 2019
„Drei Uhr“ – Helene Büker, 2019
„Monolog zu Dritt“ – Azim F. Becker, 2019
„Red Fat Cat“ – Klaus Hoefs, 2016
„I wish my beautiful dream will never end“ – Maria Lentzen & Yingmei Duan, music Wolfgang in der Wiesche
„A piece of peace“ – Lobby Boy, 2019

Vernissage: Ab 19 Uhr, Freitag, 18.10.2019
Dauer: 19.10. – 20.10.2019 jeweils 11-17 Uhr
Freier Eintritt

Gesellschaft für zeitgenössische Kunst Osnabrück e. V. | Kunstraum hase29

Hasestr. 29/30 | 49074 Osnabrück | Tel. 0541 – 58 05 13 96 | mob 0171 – 9 58 59 65 (Elisabeth Lumme) | mail(at)hase29.de

read more @ Neue Osnabrücker Zeitung

 

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never Stop, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(open in new window to view full size)

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture || @  instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH & CAPSICUM @ short version 3 Colours of Light @ arsenal (Potsdamer Pl) Berlin 28.09., 18:30 | by Deborah Phillips | with music & sound design by Wolfgang in der Wiesche

 

image courtesy © Deborah S. Phillips | stills from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 | CAPSICUM | animation, 16mm, c, 11:00 min., 2008

(click any image to open gallery view)

please refer to the previously reblogged post by Deborah Phillips for more detailed information or find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

films & performance | by Deborah Phillips | with Tobias Schmuecking live | music & sound design by Wolfgang in der Wiesche | @ ROBERT KOEPKE HAUS | Schieder-Schwalenberg | 27.07.2019

 

image courtesy © Deborah S. Phillips | still from: Santoor | experimental documentary, 13min., c, 16mm, 1998 || Capsium | animation, 11 min., c, 16mm, 2008 || IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

ROBERT KOEPKE HAUS | Schieder-Schwalenberg | presents

COLOURS & COLLABORATIONS by DEBORAH S. PHILLIPS, together with TOBIAS SCHMÜCKING in presence

COLOURS & COLLABORATIONS offers different layers and aspects to deal with cinematic and animated problems as well as pattern, textures and color developed in the dark room of the film strip itself in an active dialogue with music and sound. The program also includes the premiere of the 16mm, single 8 and slides performance VERDE VERMELHAR (Green turns Red, 2019).

I looked for films in which colors, textures, light and
time were more important than people and stories.
(Deborah S. Phillips)

DEBORAH S. PHILLIPS (de) is an artist who has been working on celluloid since the early nineties and various analogue media, including printmaking, tiny collages in slides frames as well as 35mm and 16mm film, drawing, handmade books, etc. She has been & still is active in several artists-run organisations. See: deborahsp.wordpress.com

TOBIAS SCHMÜCKING (de) is a filmmaker and musician. His analogue films explore the fields between experimental and narrative; in his musi,c he transforms fragments of melodies and chords into soundscapes. See: http://www.schmuecking.com

WOLFGANG IN DER WIESCHE (de) is an artist who works with a wide range of media (more than there’s space for here). See: https://xtendedline.wordpress.com

RK_HAUS

image courtesy © Robert Koepke Haus 2019

(open in new window to view full size)

PROGRAM

INTRODUCTION (english) | Deborah S. Phillips and Tobias Schmücking

SANTOOR | 1996 | 35 to 16mm | color | sound | 13’00 | Music: Nandkishor Muley & Wolfgang in der Wiesche
Nandkishor Muley moves between countries, musical styles and different fields. This is a commonality with Deborah: over a few years, he insisted that she make a film about him…

CAPSICUM | 2008 | 16mm | color | sound | 11’00 | Sound / Composition: Ruth Wiesenfeld | Music: Wolfgang in der Wiesche.
The associations vary widely when it comes to the colour red. This film marks the beginning of Deborah’s colour research

IM GRÜNEN BEREICH | 2017 | 16mm | color | sound | 13’50 | Sound: Wolfgang in der Wiesche & Ruth Wiesenfeld
If everything is alright in German, it’s in the green zone

TORNASOLADA SORORIDAD DADA | 2019 | 16mm | color | silent | 3’00 | by D. S. Phillips & Melina Pafundi
A collaborative exploration of the aesthetic of passing an object on and collaboratively manipulating developing chemicals…

VERDE VERMELHAR (Green turns Red) | 16mm & single 8 & slides | color | live & recorded sound | ca 20’00
At a meeting of analogue film artists, Bains argentiques in 2016, in Nantes, three colleagues Ж, Deborah & Tobias began to explore aspects of this complementary colour combination on a number of levels. The nature of language and misunderstanding through translation plays a crucial role.
Ж, who, among other things, came up with the title, can not be in Brussels because he lives & works in Brazil. He is, nonetheless, an essential part of this exploration of the dynamic of complementary contrasts.

Q&A
with Deborah S. Phillips, Tobias Schmücking

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

films & performance | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche | @ CINEMA PARENTHÈSE and DAGVORM_CINEMA | Brussels | Bruxelles | 07.05.2019

 

 

image courtesy © Deborah S. Phillips | still from: untitled colourmation | animation, 1 min., c, 16mm, 1991-92 | Santoor | experimental documentary, 13min., c, 16mm, 1998 | Capsium | animation, 11 min., c, 16mm, 2008 || IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

 

cinparbrux05.19

CINEMA PARENTHÈSE and DAGVORM_CINEMA present

COLOURS & COLLABORATIONS by DEBORAH S. PHILLIPS, together with TOBIAS SCHMÜCKING in presence

COLOURS & COLLABORATIONS offers different layers and aspects to deal with cinematic and animated problems as well as pattern, textures and color developed in the dark room of the film strip itself in an active dialogue with music and sound. The program also includes the premiere of the 16mm, single 8 and slides performance VERDE VERMELHAR (Green turns Red, 2019).

I looked for films in which colors, textures, light and
time were more important than people and stories.
(Deborah S. Phillips)

DEBORAH S. PHILLIPS (de) is an artist who has been working on celluloid since the early nineties and various analogue media, including printmaking, tiny collages in slides frames as well as 35mm and 16mm film, drawing, handmade books, etc. She has been & still is active in several artists-run organisations. See: deborahsp.wordpress.com

TOBIAS SCHMÜCKING (de) is a filmmaker and musician. His analogue films explore the fields between experimental and narrative; in his musi,c he transforms fragments of melodies and chords into soundscapes. See: http://www.schmuecking.com

WOLFGANG IN DER WIESCHE (de) is an artist who works with a wide range of media (more than there’s space for here). See: https://xtendedline.wordpress.com

DAGVORM_CINEMA
Rue Paul Devaux 3, 1000 Bruxelles
Program start: 19:00
Date: May 7, 2019
Entrance: 6/4€

PROGRAM

INTRODUCTION (english) | Deborah S. Phillips and Tobias Schmücking

UNTITLED COLOURMATION | 1991–92 | 16mm | color | sound | 0’45 | Music: Wolfgang in der Wiesche
What happens when a painter is encouraged to make a film

SANTOOR | 1996 | 35 to 16mm | color | sound | 13’00 | Music: Nandkishor Muley & Wolfgang in der Wiesche
Nandkishor Muley moves between countries, musical styles and different fields. This is a commonality with Deborah: over a few years, he insisted that she make a film about him…

CAPSICUM | 2008 | 16mm | color | sound | 11’00 | Sound / Composition: Ruth Wiesenfeld | Music: Wolfgang in der Wiesche.
The associations vary widely when it comes to the colour red. This film marks the beginning of Deborah’s colour research

IM GRÜNEN BEREICH | 2017 | 16mm | color | sound | 13’50 | Sound: Wolfgang in der Wiesche & Ruth Wiesenfeld
If everything is alright in German, it’s in the green zone

TORNASOLADA SORORIDAD DADA | 2019 | 16mm | color | silent | 3’00 | by D. S. Phillips & Melina Pafundi
A collaborative exploration of the aesthetic of passing an object on and collaboratively manipulating developing chemicals…

VERDE VERMELHAR (Green turns Red) | 16mm & single 8 & slides | color | live & recorded sound | ca 20’00
At a meeting of analogue film artists, Bains argentiques in 2016, in Nantes, three colleagues Ж, Deborah & Tobias began to explore aspects of this complementary colour combination on a number of levels. The nature of language and misunderstanding through translation plays a crucial role.
Ж, who, among other things, came up with the title, can not be in Brussels because he lives & works in Brazil. He is, nonetheless, an essential part of this exploration of the dynamic of complementary contrasts.

Q&A
with Deborah S. Phillips, Tobias Schmücking, and Wolfgang in der Wiesche

● ●

DAGVORM_CINEMA | dagvorm_cinema is a mini-cinema, made with little means but with bigger aspirations. Consisting of 22 comfortable chairs and a big screen, it’s temporally located on the 6th floor of the former headquarters of Actiris, a stonethrow away from the Bourse.

dagvorm_cinema is a place born out of a passion for cinema and an urge to share the films (food and music) we value with our close friends, lovers, aquaintances, future friends and people who are willing to discover. We’ll organise regular screenings ourselves, collaborate with other initiaves as much as possible.

Instagram: dagvorm_cinema_bxl
Webpage: www.dagvorm.be

● ●

CINEMA PARENTHÈSE
Cinema Parenthèse is a collective of writers, programmers and filmmakers that organizes experimental film screenings and dialogues in Brussels. Current members are Wendy Evan, Els van Riel, Nicky Hamlyn, Daniel A. Swarthnas and Arindam Sen.

Facebook: Cinema Parenthèse
Contact: cinema.parenthese@mail.com
Subscribe for mail news: http://eepurl.com/dysyED

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ ALCHEMY FILM FILM and MOVING IMAGE FESTIVAL 2019 SCOTLAND | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

 

 

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

Alchemy FILM and MOVING IMAGE FESTIVAL 2019 | MAY 02-06, 2019 | (click link for more…)

Alchemy Film & Arts | Room 305
Heart of Hawick | Kirkstile
Hawick TD9 0AE
Scotland, UK

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone
(added June, 2019) excerpt from: Wild wonder inside and out at Alchemy 2019

New creative director Michael Pattison encouraged audiences to “embrace the strange” at this invigorating festival where the experiences counted for as much as the work.

Ben Nicholson

“Colour also played a significant role in one of the other ‘In Focus’ events – that of the work of Deborah S. Phillips. In a less conventional screening, Phillips presented her own work including her red-hued blend of collage, animation and text Capsicum (2008), and her overlaid, superimposed examination of green Im Grünen Bereich (2017). Phillips has spent a decade utilising found objects, natural materials and text to create colour studies. In the screening she revealed that she still hasn’t quite worked out how she feels about blue, and so the session opened up into a freeform discussion about the associations of the colour and how different languages approach it – all while two slide projectors clacked through cerulean compositions that slowly seemed to conform to the emotive qualities being described and discussed by the audience.”

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ PROCESS FILM FESTIVAL RIGA | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

PROCESS FILM FESTIVAL 2019 | RIGA | MARCH 20-24, 2019 | (click link for more…)

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de