music for films | full album on deezer | Wolfgang in der Wiesche

https://deezer.page.link/s6kxRYdt7AXLw1VZ6

click LINK above for listening on deezer to

music for films

Feb., 7, 2021 released with support by MusicHub/Zebralution, Berlin

AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | Instagram / more will follow…

I recommend listening to the full album, enjoy…
music composed for
experimental short films
xtended line (1997)

private release
edition 300 pcs.

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021 | music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify / Instagram | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

Happy to share | MOSAïC & 71 online @ arsenal 3 in Nov. | films by Deborah Phillips | music & sound design for MOSAïC by Wolfgang in der Wiesche feat. Saadet Türköz

M O S A ï C , still images courtesy © deborah phillips, 2001

(click any image to open gallery view)

fantastic NEWS | for the whole of November 2021 two films by Deborah Phillips can be viewed online in a programme featured by arsenal 3 (Berlin) | M O S A ï C, music & sound design by myself featuring Saadet Türköz, vocals, and 71

LINK TO THE arsenal 3 PROGRAMME (please click)

mehr Info bei Deborah Phillips | http://deborahsp.wordpress.com
M O S A ï C | war im jahr 2001 offizieller deutscher Beitrag für das Jahr des Dialogs der Kulturen der UN | was chosen as the official German contribution to the Year of Dialogue of the Cultures, UN, 2001

experimental film, 16/35mm, c, 45min., dolby sr, 2001, Deborah Phillips
music: Wolfgang in der Wiesche: sampler, programming, flute, frame drum, viola, el. guitar, ukulele / featuring Saadet Türköz: vocals / Jacob Wizman & David Suissa: vocals

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

I Wish My Beautiful Dream Will Never End | video screening @ Total Art/Music Meeting | LOCH Wuppertal | Okt., 30 onwards | music/ sound design by Wolfgang in der Wiesche


© courtesy loch 2021 | flyer front &back

(click any image to open gallery view)


© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

I’m excited to announce:

I Wish My Beautiful Dream Will Never End will be screened as part of the exhibition

9 TO 5 TOTAL ART/MUSIC MEETING | LOCHWUPPERTAL | Sonntag/Sunday 31.10.2021, 15h…

30.10. – 13.11.2021 | (re)presented by Maria Lentzen

LOCHation | LOCH | Plateniusstr. 35 | 42105 Wuppertal
Kontakt | info@loch-wuppertal.de | www.loch-wuppertal.de

Zur Ausstellung:

“9 to 5”, gilt als Inbegriff konventioneller, durch den Arbeitsrhythmus bestimmter, Lebensentwürfe. In Abgrenzung hierzu wurden im Bereich der Kunst Konzepte, wie das kollaborative Arbeiten jenseits etablierter Strukturen, entwickelt. Ein paradigmatisches Feld dafür ist der Free Jazz: Wie auch bei den “freien Künsten” wird hier ein Freiheitsanspruch postuliert, der sich auf Gestaltungsprinzipien, aber auch auf gesellschaftliche Aspekte bezieht.
Die Ausstellung “9 to 5 total music/art meeting” versteht sich als Plattform der Auseinandersetzung mit den für den Free Jazz zentralen Prinzipien – Improvisation und Kommunikation, ob nun im Umgang mit den bildnerischen bzw. musikalischen Materialien oder bezogen auf verschiedene Produktionsformen. Zum Begleitprogramm der Ausstellung gehört ein Abend von “9 to 5”, an dem Performances, Happenings und Konzerte das Verhältnis von bildender Kunst und Musik weiter ausloten und für eine freie, aber nicht verantwortungslose, Gestaltung von Kunst und Leben plädieren sollen.

Das Video ” I wish my beautiful dream will never end” von Yingmei Duan und mir wird gezeigt. Komposition: Wolfgang in der Wiesche

About the exhibition:

“9 to 5” is considered the epitome of conventional lifestyles determined by the rhythm of work. In contrast to this, concepts such as collaborative work beyond established structures have been developed in the field of art. A paradigmatic field for this is Free Jazz: as with the “liberal arts”, a claim to freedom is postulated here that relates to creative principles, but also to social aspects.
The exhibition “9 to 5 total music/art meeting” sees itself as a platform for dealing with the principles central to Free Jazz – improvisation and communication, whether in dealing with the visual or musical materials or in relation to various forms of production. The programme accompanying the exhibition includes an evening of “9 to 5”, in which performances, happenings and concerts will further explore the relationship between visual art and music and plead for a free, but not irresponsible, shaping of art and life.

The video “I wish my beautiful dream will never end” by Yingmei Duan and Maria Lentzen will be shown. Composition: Wolfgang in der Wiesche

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

INVITATION | EINLADUNG | I Wish My Beautiful Dream Will Never End | video screening @ Total Art/Music Meeting | LOCH Wuppertal | Okt., 30 onwards | music/ sound design by Wolfgang in der Wiesche

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

I’m excited to announce:

I Wish My Beautiful Dream Will Never End will be screened as part of the exhibition

9 TO 5 TOTAL ART/MUSIC MEETING | LOCH WUPPERTAL | Sonntag/Sunday 31.10.2021, 15h…

30.10. – 13.11.2021 | (re)presented by Maria Lentzen

LOCHation | LOCH | Plateniusstr. 35 | 42105 Wuppertal
Kontakt | info@loch-wuppertal.de | www.loch-wuppertal.de

Zur Ausstellung:

“9 to 5”, gilt als Inbegriff konventioneller, durch den Arbeitsrhythmus bestimmter, Lebensentwürfe. In Abgrenzung hierzu wurden im Bereich der Kunst Konzepte, wie das kollaborative Arbeiten jenseits etablierter Strukturen, entwickelt. Ein paradigmatisches Feld dafür ist der Free Jazz: Wie auch bei den “freien Künsten” wird hier ein Freiheitsanspruch postuliert, der sich auf Gestaltungsprinzipien, aber auch auf gesellschaftliche Aspekte bezieht.
Die Ausstellung “9 to 5 total music/art meeting” versteht sich als Plattform der Auseinandersetzung mit den für den Free Jazz zentralen Prinzipien – Improvisation und Kommunikation, ob nun im Umgang mit den bildnerischen bzw. musikalischen Materialien oder bezogen auf verschiedene Produktionsformen. Zum Begleitprogramm der Ausstellung gehört ein Abend von “9 to 5”, an dem Performances, Happenings und Konzerte das Verhältnis von bildender Kunst und Musik weiter ausloten und für eine freie, aber nicht verantwortungslose, Gestaltung von Kunst und Leben plädieren sollen.

Das Video ” I wish my beautiful dream will never end” von Yingmei Duan und mir wird gezeigt. Komposition: Wolfgang in der Wiesche

About the exhibition:

“9 to 5” is considered the epitome of conventional lifestyles determined by the rhythm of work. In contrast to this, concepts such as collaborative work beyond established structures have been developed in the field of art. A paradigmatic field for this is Free Jazz: as with the “liberal arts”, a claim to freedom is postulated here that relates to creative principles, but also to social aspects.
The exhibition “9 to 5 total music/art meeting” sees itself as a platform for dealing with the principles central to Free Jazz – improvisation and communication, whether in dealing with the visual or musical materials or in relation to various forms of production. The programme accompanying the exhibition includes an evening of “9 to 5”, in which performances, happenings and concerts will further explore the relationship between visual art and music and plead for a free, but not irresponsible, shaping of art and life.

The video “I wish my beautiful dream will never end” by Yingmei Duan and Maria Lentzen will be shown. Composition: Wolfgang in der Wiesche

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

who’s the invader? revisited | mobile photography | Wolfgang in der Wiesche

© ww 2020 | who’s the invader? revisited | I have an eye on you… | mobile clip | 10/2021

(open in new window to view full size)
.
revisited this guy with the nervous eye after one year in Basel, Switzerland…

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

MOSTRA DE CINEMA PERIFÉRICO | A CORUÑA SPAIN | EDICIÓN DUAL EDITION | 28/5-6/6 2021 | films by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | stills from: SANTOOR | M O S A ï C | UNTITLED COLOURMATION | PURIM | CAPRICUM | IM GRUENEN BEREICH | YONG BU FANG CHI

(click any image to open gallery view)

image courtesy © MOSTRA DE CINEMA PERIFÉRICO 2021

(open in new window to view full size)

I’m delighted to announce two days of screening of films by DEBORAH PHILLIPS at

MOSTRA DE CINEMA PERIFÉRICO | A CORUÑA SPAIN | EDICIÓN DUAL EDITION | 28/5-6/6 2021

click links to find out more |

PROGRAMA 1 Jueves 3 de junio | 19:00 h | Filmoteca de Galicia |

PROGRAMA 2 Domingo 6 de junio | 17:00 h | SALA (S8) PALEXCO

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || @ artdoxa || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

music for films | wolfgang in der wiesche | xtended line | cd re:release | now online available for download and stream

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021| music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

PREMIERE outside Berlin | YONG BU FANG CHI | NEVER GIVE UP | by Deborah Phillips | Cinema experimental | Goethe Institut PORTO | Oct., 30 | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | stills from: YONG BU FANG CHI | 16mm, c, 3:00min., 2019 | stills by ww

(click any image to open gallery view)

PREMIERE OUTSIDE BERLIN of the experimental short film (digital version) | YONG BU FANG CHI | by Deborah S. Phillips | music and sound design by Wolfgang in der Wiesche @ Experimental Film Projection #6 . programação da Hosek Contemporary na mala voadora | as part of an evening programme with experimental films | supported by GOETHE INSTITUT PORTUGAL

LaborBerlin

Yong Bu Fang Chi, 16mm, 3 min. 2020
with Samer Albunni
Klangkomposition: Wolfgang in der Wiesche

Yong Bu Fang Chi: May Wish to Eat, the title of the film, is a (misunderstood) transcription of the actually meant Yong Bu Fang Qi: Never Give Up

30. Oct. 2020 | 21:00h | Mala Voadora | Porto

FIND MORE DETAILED INFORMATION IN PORTUGESE and GERMAN by clicking the links above

find information on upcoming screenings of film works by Deborah S. Phillips (click here)

for a preview of the film | New link | https://vimeo.com/418381359

password: fangchi

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

feel free to visit my instagram account for more

NEW | membership at SINGULART, you’ll find my growing portfolio here: SINGULART

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

prints and original works available

view portfolio  |  @  saatchi art  ||  @ artworks.art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture ||  @ World-Street.Photography ||  @ instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

DIE ANDERE SEITE | THE OTHER SIDE | live painting and exhibition | video screening | running until Oct., 10/11

© courtesy WW (1), Friedhelm Petrovitsch (2), Ana Sous (3-7), 2020 | DIE ANDERE SEITE

(click any image to open gallery view)

NOW RUNNING | DIE ANDERE SEITE | Vom Entstehen der Bilder. Einladung zur Beobachtung

MAREN HOCH & WOLFGANG IN DER WIESCHE

Der Ausstellungssaal Im Atelierhaus Aachen wurde am 26./27. September zum Schauplatz der bildnerischen Auseinandersetzung von Maren Hoch und Wolfgang in der Wiesche. Gut 500 BesucherInnen nutzten die Gelegenheit, den gemeinsamen Malprozess zu beobachten.

In den Anfangsphasen der jeweiligen großen Arbeiten wechselten Malerin und Maler alle 20 Minuten die Seiten, nach drei bis vier Wechseln wuchsen die Bilder im direkten Dialog organisch.

Entstanden sind vier großformatige und einige kleinere Gemälde. Ergänzt durch wenige individuelle Bilder, die es ermöglichen, den jeweiligen malerischen Einfluss nachzuvollziehen, ist die daraus entstandene Ausstellung bis zum 11. Oktober zu sehen.

The exhibition hall of Atelierhaus Aachen became the arena of the pictorial debate between Maren Hoch and Wolfgang in der Wiesche on 26/27 September. About 500 visitors took the opportunity to observe the collaborative painting process.

In the initial phases of the respective large works, the painters changed sides every 20 minutes, and after three to four changes, the pictures grew organically in direct dialogue.

The results, four large-format and some smaller paintings. Supplemented by a few individual paintings, which offer to trace the respective painterly influence, the resulting exhibition can be seen until 11 October.

LIVE ACTION: Saturday and Sunday, 26 September 2020 from 11:00 to 18:00 | Exhibition until 11 October

Atelierhaus Aachen e.V., DEPOT – Talstraße 2, 52068 Aachen

Telefon: +49 241 874527
Fax: +49 241 874356
E-Mail: aha@westend.nrw

Öffnungszeiten/ open: Di-Do 10-16 Uhr und Sa+So 12-16 Uhr

I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

VIDEO SCREENING

I Wish My Beautiful Dream Will Never End will be screened during Aachener Kunstroute @ Internationales Zeitungsmuseum Aachen | 26./27.09.2020 | within the exhibition WAS VOM TAGE BLEIBT by Maria Lentzen until 18.10.2020

I Wish My Beautiful Dream Will Never End | 1-channel video | 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

Internationales Zeitungsmuseum, Pontstr. 13, 52062 Aachen

26./ 27. 9. 2020 | Dauer der Ausstellung: 26.09.2020 bis 18.10.202

feel free to visit my instagram account for more

NEW | membership at SINGULART, you’ll find my growing portfolio here: SINGULART

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

prints and original works available

view portfolio  |  @  saatchi art  ||  @ artworks.art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture ||  @ World-Street.Photography ||  @ instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

INVITATION | EINLADUNG | I Wish My Beautiful Dream Will Never End | video screening @ Internationales Zeitungsmuseum Aachen | Sept., 26 onwards | music/ sound design by Wolfgang in der Wiesche

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

I’m excited to announce:

I Wish My Beautiful Dream Will Never End will be screened during Aachener Kunstroute @ Internationales Zeitungsmuseum Aachen | 26./27.09.2020 | within the exhibition WAS VOM TAGE BLEIBT by Maria Lentzen until 18.10.2020

I Wish My Beautiful Dream Will Never End | 1-channel video | 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

Internationales Zeitungsmuseum, Pontstr. 13, 52062 Aachen

26./ 27. 9. 2020 | Dauer der Ausstellung: 26.09.2020 bis 18.10.2020

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NEW | membership at SINGULART, you’ll find my growing portfolio here: SINGULART

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

prints and original works available

view portfolio  |  @  saatchi art  ||  @ artworks.art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture ||  @ World-Street.Photography ||  @ instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de