time travel | re:view | feature 1983 (or 84) II | on stage | first gig | Wolfgang in der Wiesche

© chacha/ww-1983 | on stage | ChaCha live at Architakel

(open in new window to view full size)

RE:VIEW | the missing photographs, on stage (playing a slightly modified Fender Rhodes and a Korg Delta with a set of favourite effects) || as I am step by step preparing to release my third music album it’s time for a re:view, here photographs taken backstage when I was doing the makeup for my first band gig with a new rock band named ChaCha, @ Architakel, Braunschweig University, if I remember right, 1983. More soon…

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

time travel | re:view | feature 1983 (or 84) | on stage | first gig | Wolfgang in der Wiesche

© chacha/ww-1983 | on stage | ChaCha live at Architakel

(open in new window to view full size)

RE:VIEW | the missing photograph, on stage (playing a slightly modified Fender Rhodes and a Korg Delta with a set of favourite effects) || as I am step by step preparing to release my third music album it’s time for a re:view, here photographs taken backstage when I was doing the makeup for my first band gig with a new rock band named ChaCha, @ Architakel, Braunschweig University, if I remember right, 1983. More soon…

© chacha/ww-1983 | on stage | ChaCha live at Architakel

(click any image to open gallery view)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ART, Basel, Switzerland

© courtesy Fondazione Silene Giannini & ARTWORKS.ART 2020 | original announcement

(click any image to open gallery view)

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

time travel | re:view | feature 1983 (or 1984) | on stage | first gig | Wolfgang in der Wiesche

© bp/ww-1987 | myself on stage | ChaCha live at Architakel

(open in new window to view full size)

RE:VIEW | the missing photograph, on stage (playing a slightly modified Fender Rhodes and a Korg Delta with a set of favourite effects) || as I am step by step preparing to release my third music album it’s time for a re:view, here photographs taken backstage when I was doing the makeup for my first band gig with a new rock band named ChaCha, @ Architakel, Braunschweig University, if I remember right, 1983. More soon…

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

time travel | re:view | feature 1983 (or 84) | backstage | first gig | Wolfgang in der Wiesche

© bp/ww-1987 | myself backstage | ChaCha live at Architakel

(open in new window to view full size)

© bp/ww-1987 | myself backstage | ChaCha live at Architakel

(open in new window to view full size)

© bp/ww-1987 | myself backstage | ChaCha live at Architakel

(open in new window to view full size)

RE:VIEW | as I’m step by step preparing to release my third music album it’s time for a re:view, here photographs taken backstage when I was doing the makeup for my first band gig with a new rock band named ChaCha, @ Architakel, Braunschweig University, if I remember right, 1987. More soon…

sorry 😉 I need to correct myself regarding the year (did already in the header), the first ChaCha gig was beginning of 1983 (maybe 84 but I believe 83)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

music for films | full album on deezer | Wolfgang in der Wiesche

https://deezer.page.link/s6kxRYdt7AXLw1VZ6

click LINK above for listening on deezer to

music for films

Feb., 7, 2021 released with support by MusicHub/Zebralution, Berlin

AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | Instagram / more will follow…

I recommend listening to the full album, enjoy…
music composed for
experimental short films
xtended line (1997)

private release
edition 300 pcs.

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021 | music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify / Instagram | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

final day | I Wish My Beautiful Dream Will Never End | video screening @ Total Art/Music Meeting | LOCH Wuppertal | final day | music/ sound design by Wolfgang in der Wiesche

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

a friendly final reminder:

I Wish My Beautiful Dream Will Never End will be screened as part of the exhibition

9 TO 5 TOTAL ART/MUSIC MEETING | LOCHWUPPERTAL | Sonntag/Sunday 31.10.2021, 15h…

30.10. – 13.11.2021 | (re)presented by Maria Lentzen

LOCHation | LOCH | Plateniusstr. 35 | 42105 Wuppertal
Kontakt | info@loch-wuppertal.de | www.loch-wuppertal.de

Zur Ausstellung:

“9 to 5”, gilt als Inbegriff konventioneller, durch den Arbeitsrhythmus bestimmter, Lebensentwürfe. In Abgrenzung hierzu wurden im Bereich der Kunst Konzepte, wie das kollaborative Arbeiten jenseits etablierter Strukturen, entwickelt. Ein paradigmatisches Feld dafür ist der Free Jazz: Wie auch bei den “freien Künsten” wird hier ein Freiheitsanspruch postuliert, der sich auf Gestaltungsprinzipien, aber auch auf gesellschaftliche Aspekte bezieht.
Die Ausstellung “9 to 5 total music/art meeting” versteht sich als Plattform der Auseinandersetzung mit den für den Free Jazz zentralen Prinzipien – Improvisation und Kommunikation, ob nun im Umgang mit den bildnerischen bzw. musikalischen Materialien oder bezogen auf verschiedene Produktionsformen. Zum Begleitprogramm der Ausstellung gehört ein Abend von “9 to 5”, an dem Performances, Happenings und Konzerte das Verhältnis von bildender Kunst und Musik weiter ausloten und für eine freie, aber nicht verantwortungslose, Gestaltung von Kunst und Leben plädieren sollen.

Das Video ” I wish my beautiful dream will never end” von Yingmei Duan und mir wird gezeigt. Komposition: Wolfgang in der Wiesche

About the exhibition:

“9 to 5” is considered the epitome of conventional lifestyles determined by the rhythm of work. In contrast to this, concepts such as collaborative work beyond established structures have been developed in the field of art. A paradigmatic field for this is Free Jazz: as with the “liberal arts”, a claim to freedom is postulated here that relates to creative principles, but also to social aspects.
The exhibition “9 to 5 total music/art meeting” sees itself as a platform for dealing with the principles central to Free Jazz – improvisation and communication, whether in dealing with the visual or musical materials or in relation to various forms of production. The programme accompanying the exhibition includes an evening of “9 to 5”, in which performances, happenings and concerts will further explore the relationship between visual art and music and plead for a free, but not irresponsible, shaping of art and life.

The video “I wish my beautiful dream will never end” by Yingmei Duan and Maria Lentzen will be shown. Composition: Wolfgang in der Wiesche

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

Happy to share | MOSAïC & 71 online @ arsenal 3 in Nov. | films by Deborah Phillips | music & sound design for MOSAïC by Wolfgang in der Wiesche feat. Saadet Türköz

M O S A ï C , still images courtesy © deborah phillips, 2001

(click any image to open gallery view)

fantastic NEWS | for the whole of November 2021 two films by Deborah Phillips can be viewed online in a programme featured by arsenal 3 (Berlin) | M O S A ï C, music & sound design by myself featuring Saadet Türköz, vocals, and 71

LINK TO THE arsenal 3 PROGRAMME (please click)

mehr Info bei Deborah Phillips | http://deborahsp.wordpress.com
M O S A ï C | war im jahr 2001 offizieller deutscher Beitrag für das Jahr des Dialogs der Kulturen der UN | was chosen as the official German contribution to the Year of Dialogue of the Cultures, UN, 2001

experimental film, 16/35mm, c, 45min., dolby sr, 2001, Deborah Phillips
music: Wolfgang in der Wiesche: sampler, programming, flute, frame drum, viola, el. guitar, ukulele / featuring Saadet Türköz: vocals / Jacob Wizman & David Suissa: vocals

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

I Wish My Beautiful Dream Will Never End | video screening @ Total Art/Music Meeting | LOCH Wuppertal | Okt., 30 onwards | music/ sound design by Wolfgang in der Wiesche


© courtesy loch 2021 | flyer front &back

(click any image to open gallery view)


© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

I’m excited to announce:

I Wish My Beautiful Dream Will Never End will be screened as part of the exhibition

9 TO 5 TOTAL ART/MUSIC MEETING | LOCHWUPPERTAL | Sonntag/Sunday 31.10.2021, 15h…

30.10. – 13.11.2021 | (re)presented by Maria Lentzen

LOCHation | LOCH | Plateniusstr. 35 | 42105 Wuppertal
Kontakt | info@loch-wuppertal.de | www.loch-wuppertal.de

Zur Ausstellung:

“9 to 5”, gilt als Inbegriff konventioneller, durch den Arbeitsrhythmus bestimmter, Lebensentwürfe. In Abgrenzung hierzu wurden im Bereich der Kunst Konzepte, wie das kollaborative Arbeiten jenseits etablierter Strukturen, entwickelt. Ein paradigmatisches Feld dafür ist der Free Jazz: Wie auch bei den “freien Künsten” wird hier ein Freiheitsanspruch postuliert, der sich auf Gestaltungsprinzipien, aber auch auf gesellschaftliche Aspekte bezieht.
Die Ausstellung “9 to 5 total music/art meeting” versteht sich als Plattform der Auseinandersetzung mit den für den Free Jazz zentralen Prinzipien – Improvisation und Kommunikation, ob nun im Umgang mit den bildnerischen bzw. musikalischen Materialien oder bezogen auf verschiedene Produktionsformen. Zum Begleitprogramm der Ausstellung gehört ein Abend von “9 to 5”, an dem Performances, Happenings und Konzerte das Verhältnis von bildender Kunst und Musik weiter ausloten und für eine freie, aber nicht verantwortungslose, Gestaltung von Kunst und Leben plädieren sollen.

Das Video ” I wish my beautiful dream will never end” von Yingmei Duan und mir wird gezeigt. Komposition: Wolfgang in der Wiesche

About the exhibition:

“9 to 5” is considered the epitome of conventional lifestyles determined by the rhythm of work. In contrast to this, concepts such as collaborative work beyond established structures have been developed in the field of art. A paradigmatic field for this is Free Jazz: as with the “liberal arts”, a claim to freedom is postulated here that relates to creative principles, but also to social aspects.
The exhibition “9 to 5 total music/art meeting” sees itself as a platform for dealing with the principles central to Free Jazz – improvisation and communication, whether in dealing with the visual or musical materials or in relation to various forms of production. The programme accompanying the exhibition includes an evening of “9 to 5”, in which performances, happenings and concerts will further explore the relationship between visual art and music and plead for a free, but not irresponsible, shaping of art and life.

The video “I wish my beautiful dream will never end” by Yingmei Duan and Maria Lentzen will be shown. Composition: Wolfgang in der Wiesche

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

INVITATION | EINLADUNG | I Wish My Beautiful Dream Will Never End | video screening @ Total Art/Music Meeting | LOCH Wuppertal | Okt., 30 onwards | music/ sound design by Wolfgang in der Wiesche

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

I’m excited to announce:

I Wish My Beautiful Dream Will Never End will be screened as part of the exhibition

9 TO 5 TOTAL ART/MUSIC MEETING | LOCH WUPPERTAL | Sonntag/Sunday 31.10.2021, 15h…

30.10. – 13.11.2021 | (re)presented by Maria Lentzen

LOCHation | LOCH | Plateniusstr. 35 | 42105 Wuppertal
Kontakt | info@loch-wuppertal.de | www.loch-wuppertal.de

Zur Ausstellung:

“9 to 5”, gilt als Inbegriff konventioneller, durch den Arbeitsrhythmus bestimmter, Lebensentwürfe. In Abgrenzung hierzu wurden im Bereich der Kunst Konzepte, wie das kollaborative Arbeiten jenseits etablierter Strukturen, entwickelt. Ein paradigmatisches Feld dafür ist der Free Jazz: Wie auch bei den “freien Künsten” wird hier ein Freiheitsanspruch postuliert, der sich auf Gestaltungsprinzipien, aber auch auf gesellschaftliche Aspekte bezieht.
Die Ausstellung “9 to 5 total music/art meeting” versteht sich als Plattform der Auseinandersetzung mit den für den Free Jazz zentralen Prinzipien – Improvisation und Kommunikation, ob nun im Umgang mit den bildnerischen bzw. musikalischen Materialien oder bezogen auf verschiedene Produktionsformen. Zum Begleitprogramm der Ausstellung gehört ein Abend von “9 to 5”, an dem Performances, Happenings und Konzerte das Verhältnis von bildender Kunst und Musik weiter ausloten und für eine freie, aber nicht verantwortungslose, Gestaltung von Kunst und Leben plädieren sollen.

Das Video ” I wish my beautiful dream will never end” von Yingmei Duan und mir wird gezeigt. Komposition: Wolfgang in der Wiesche

About the exhibition:

“9 to 5” is considered the epitome of conventional lifestyles determined by the rhythm of work. In contrast to this, concepts such as collaborative work beyond established structures have been developed in the field of art. A paradigmatic field for this is Free Jazz: as with the “liberal arts”, a claim to freedom is postulated here that relates to creative principles, but also to social aspects.
The exhibition “9 to 5 total music/art meeting” sees itself as a platform for dealing with the principles central to Free Jazz – improvisation and communication, whether in dealing with the visual or musical materials or in relation to various forms of production. The programme accompanying the exhibition includes an evening of “9 to 5”, in which performances, happenings and concerts will further explore the relationship between visual art and music and plead for a free, but not irresponsible, shaping of art and life.

The video “I wish my beautiful dream will never end” by Yingmei Duan and Maria Lentzen will be shown. Composition: Wolfgang in der Wiesche

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

exhibition running | ANTI BIOTICS I | Wolfgang in der Wiesche . Nikolaus Gojowczyk-Groon | Glashalle Annastraße | Aachen

© ww 2021 | ANTI BIOTICS I | installation view | photograph by ww

(open in new window to view full size)

ANTI BIOTICS ist die sechste multimediale Arbeit von @wolfgang_in_der_wiesche Wolfgang in Kooperation mit Nikolaus Gojowczyk-Groon. Die Installation verbindet Objekt, Farben, Mehrkanal-Video, Licht und Ton zu einer magischen Situation im abgedunkelten Raum. Im Zentrum schwebt ein Containerschiff, beladen mit farbig befüllten medizinischen Ampullen, das wiederum Licht und Bilder aussendet. Es ist durch schwaches Licht in Szene gesetzt, erscheint aber auch selbstleuchtend. Es sendet Bilder, auf denen nicht nur die Farben tanzen. Die Installation thematisiert über das Künstlerische hinaus das Verhältnis von menschlicher Existenz zu globaler Wissenschaft und Wirtschaft. Als die Arbeit begann, gab es die Corona-Pandemie noch nicht, sie ist nun um einen Aspekt reicher geworden. Ein Work-In-Progress.

Ausstellungsdaten
Installation vom 07.08.2021 bis 22.08.2021
in der Glashalle Annastr. 14-16, 52062 Aachen

Erster Tag: SA, 07.08.2021, 14-18 Uhr

Öffnungszeiten:
DO-SO 14-18 Uhr und nach Vereinbarung (0163.9622845)
Die Ausstellung unterliegt den geltenden Hygienemaßnahmen.
Bitte tragen Sie eine medizinische Maske und wahren Sie die Abstandsgebote.

Sponsor Glashalle: @goergwolle
.
@stadtgluehen.aachen
Veranstalter*in:
@stadtaachen
Projektleitung:
@a.n.a.sous
@yvonne_eibig
@akut_t99

ANTI BIOTICS is the sixth multimedia work by @wolfgang_in_der_wiesche Wolfgang in cooperation with Nikolaus Gojowczyk-Groon. The installation combines object, colours, multi-channel video, light and sound to create a magical situation in a darkened room. In the centre floats a container ship, loaded with colour-filled medical ampoules, which in turn emits light and images. It is staged by dim light, but also appears self-luminous. It transmits images on which not only the colours dance. Beyond the artistic, the installation addresses the relationship between human existence and global science and economy. When the work began, the Corona pandemic did not yet exist; it has now been enriched by one aspect. A work-in-progress.

© ww 2021 | anti biotics – work in progress II | mobile photography | WW 06/2021

(open in new window to view full size)

upcoming exhibition

Wolfgang in der Wiesche . Nikolaus Gojowczyk-Groon

Glashalle, Annastr. 14-16, Aachen
07.08.-22.08.2021
.
more soon

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de