short notice | cloud love boat & I Wish My Beautiful Dream Will Never End | @ Videoscreening 1 | Osnabrück | Oct., 18-20, 2019 | music/ sound design by Wolfgang in der Wiesche

 

© ww/ngg 2016 | cloud love boat, video stills | 1-channel video, 02:30 min | cooperation with Nikolaus Gojowczyk-Groon | 2016

(open in new window to view full size)

two video works | cloud love boat | I Wish My Beautiful Dream Will Never End | will be screened @ Videoscreening 1 | Gesellschaft für zeitgenössische Kunst Osnabrück e. V. | Kunstraum hase29 | Oct., 18-20, 2019

many thanks to organizers Werner Kavermann and Azim F. Becker

cloud love boat | 1-channel video, 02:30 min | by Wolfgang in der Wiesche and Nikolaus Gojowczyk-Groon | 2016

I Wish My Beautiful Dream Will Never End | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

EVENT INFORMATION

Videoscreening 1 | Über Bildschirme, großflächigen Projektionen und einer installativen Arbeit werden unterschiedliche Videos und Kunstfilme von KünstlerInnen gezeigt. Dabei handelt es sich um abstrakte, erzählerische, performative und gezeichnete Filme, die das Wochenende ab Freitag, 18.10.2019 bis Sonntag, 20.10.2019 zu sehen sein werden. || Various videos and art films by artists will be shown via screens, large-scale projections and an installative work. These are abstract, narrative, performative and drawn films that will be shown over the weekend from Friday, 18.10.2019 to Sunday, 20.10.2019.

Werke

„Handschlag“ – Werner Kavermann, 2015
„Was macht die Kunst“ – Werner Kavermann, 2015
„Cloud Love Boat“ – Wolfgang in der Wiesche. Nikolaus Gojowczyk-Groon, 2016
„Misere“ – Melanie Harder, 2019
„Im Spiegel“ – Melanie Harder, 2019
„Neighbors“ – Ella Malin Visse, 2019
„Wespen“ – Ella Malin Visse, 2019
„Drei Uhr“ – Helene Büker, 2019
„Monolog zu Dritt“ – Azim F. Becker, 2019
„Red Fat Cat“ – Klaus Hoefs, 2016
„I wish my beautiful dream will never end“ – Maria Lentzen & Yingmei Duan, music Wolfgang in der Wiesche
„A piece of peace“ – Lobby Boy, 2019

Vernissage: Ab 19 Uhr, Freitag, 18.10.2019
Dauer: 19.10. – 20.10.2019 jeweils 11-17 Uhr
Freier Eintritt

Gesellschaft für zeitgenössische Kunst Osnabrück e. V. | Kunstraum hase29

Hasestr. 29/30 | 49074 Osnabrück | Tel. 0541 – 58 05 13 96 | mob 0171 – 9 58 59 65 (Elisabeth Lumme) | mail(at)hase29.de

read more @ Neue Osnabrücker Zeitung

 

Duan_Lentzen_I_wish_screenshot_ww_title

Duan_Lentzen_I_wish_screenshot_ww_I_want

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never Stop, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(open in new window to view full size)

–

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture || @  instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

films & performance | by Deborah Phillips | with Tobias Schmuecking live | music & sound design by Wolfgang in der Wiesche | @ ROBERT KOEPKE HAUS | Schieder-Schwalenberg | 27.07.2019

 

image courtesy © Deborah S. Phillips | still from: Santoor | experimental documentary, 13min., c, 16mm, 1998 || Capsium | animation, 11 min., c, 16mm, 2008 || IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

ROBERT KOEPKE HAUS | Schieder-Schwalenberg | presents

COLOURS & COLLABORATIONS by DEBORAH S. PHILLIPS, together with TOBIAS SCHMÜCKING in presence

COLOURS & COLLABORATIONS offers different layers and aspects to deal with cinematic and animated problems as well as pattern, textures and color developed in the dark room of the film strip itself in an active dialogue with music and sound. The program also includes the premiere of the 16mm, single 8 and slides performance VERDE VERMELHAR (Green turns Red, 2019).

I looked for films in which colors, textures, light and
time were more important than people and stories.
(Deborah S. Phillips)

DEBORAH S. PHILLIPS (de) is an artist who has been working on celluloid since the early nineties and various analogue media, including printmaking, tiny collages in slides frames as well as 35mm and 16mm film, drawing, handmade books, etc. She has been & still is active in several artists-run organisations. See: deborahsp.wordpress.com

TOBIAS SCHMÜCKING (de) is a filmmaker and musician. His analogue films explore the fields between experimental and narrative; in his musi,c he transforms fragments of melodies and chords into soundscapes. See: http://www.schmuecking.com

WOLFGANG IN DER WIESCHE (de) is an artist who works with a wide range of media (more than there’s space for here). See: https://xtendedline.wordpress.com

image courtesy © Robert Koepke Haus 2019

(open in new window to view full size)

PROGRAM

INTRODUCTION (english) | Deborah S. Phillips and Tobias Schmücking

SANTOOR | 1996 | 35 to 16mm | color | sound | 13’00 | Music: Nandkishor Muley & Wolfgang in der Wiesche
Nandkishor Muley moves between countries, musical styles and different fields. This is a commonality with Deborah: over a few years, he insisted that she make a film about him…

CAPSICUM | 2008 | 16mm | color | sound | 11’00 | Sound / Composition: Ruth Wiesenfeld | Music: Wolfgang in der Wiesche.
The associations vary widely when it comes to the colour red. This film marks the beginning of Deborah’s colour research

IM GRÜNEN BEREICH | 2017 | 16mm | color | sound | 13’50 | Sound: Wolfgang in der Wiesche & Ruth Wiesenfeld
If everything is alright in German, it’s in the green zone

TORNASOLADA SORORIDAD DADA | 2019 | 16mm | color | silent | 3’00 | by D. S. Phillips & Melina Pafundi
A collaborative exploration of the aesthetic of passing an object on and collaboratively manipulating developing chemicals…

VERDE VERMELHAR (Green turns Red) | 16mm & single 8 & slides | color | live & recorded sound | ca 20’00
At a meeting of analogue film artists, Bains argentiques in 2016, in Nantes, three colleagues Ж, Deborah & Tobias began to explore aspects of this complementary colour combination on a number of levels. The nature of language and misunderstanding through translation plays a crucial role.
Ж, who, among other things, came up with the title, can not be in Brussels because he lives & works in Brazil. He is, nonetheless, an essential part of this exploration of the dynamic of complementary contrasts.

Q&A
with Deborah S. Phillips, Tobias Schmücking

–

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

–

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

films & performance | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche | @ CINEMA PARENTHÈSE and DAGVORM_CINEMA | Brussels | Bruxelles | 07.05.2019

 

 

image courtesy © Deborah S. Phillips | still from: untitled colourmation | animation, 1 min., c, 16mm, 1991-92 | Santoor | experimental documentary, 13min., c, 16mm, 1998 | Capsium | animation, 11 min., c, 16mm, 2008 || IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

 

CINEMA PARENTHÈSE and DAGVORM_CINEMA present

COLOURS & COLLABORATIONS by DEBORAH S. PHILLIPS, together with TOBIAS SCHMÜCKING in presence

COLOURS & COLLABORATIONS offers different layers and aspects to deal with cinematic and animated problems as well as pattern, textures and color developed in the dark room of the film strip itself in an active dialogue with music and sound. The program also includes the premiere of the 16mm, single 8 and slides performance VERDE VERMELHAR (Green turns Red, 2019).

I looked for films in which colors, textures, light and
time were more important than people and stories.
(Deborah S. Phillips)

DEBORAH S. PHILLIPS (de) is an artist who has been working on celluloid since the early nineties and various analogue media, including printmaking, tiny collages in slides frames as well as 35mm and 16mm film, drawing, handmade books, etc. She has been & still is active in several artists-run organisations. See: deborahsp.wordpress.com

TOBIAS SCHMÜCKING (de) is a filmmaker and musician. His analogue films explore the fields between experimental and narrative; in his musi,c he transforms fragments of melodies and chords into soundscapes. See: http://www.schmuecking.com

WOLFGANG IN DER WIESCHE (de) is an artist who works with a wide range of media (more than there’s space for here). See: https://xtendedline.wordpress.com

DAGVORM_CINEMA
Rue Paul Devaux 3, 1000 Bruxelles
Program start: 19:00
Date: May 7, 2019
Entrance: 6/4€

PROGRAM

INTRODUCTION (english) | Deborah S. Phillips and Tobias Schmücking

UNTITLED COLOURMATION | 1991–92 | 16mm | color | sound | 0’45 | Music: Wolfgang in der Wiesche
What happens when a painter is encouraged to make a film

SANTOOR | 1996 | 35 to 16mm | color | sound | 13’00 | Music: Nandkishor Muley & Wolfgang in der Wiesche
Nandkishor Muley moves between countries, musical styles and different fields. This is a commonality with Deborah: over a few years, he insisted that she make a film about him…

CAPSICUM | 2008 | 16mm | color | sound | 11’00 | Sound / Composition: Ruth Wiesenfeld | Music: Wolfgang in der Wiesche.
The associations vary widely when it comes to the colour red. This film marks the beginning of Deborah’s colour research

IM GRÜNEN BEREICH | 2017 | 16mm | color | sound | 13’50 | Sound: Wolfgang in der Wiesche & Ruth Wiesenfeld
If everything is alright in German, it’s in the green zone

TORNASOLADA SORORIDAD DADA | 2019 | 16mm | color | silent | 3’00 | by D. S. Phillips & Melina Pafundi
A collaborative exploration of the aesthetic of passing an object on and collaboratively manipulating developing chemicals…

VERDE VERMELHAR (Green turns Red) | 16mm & single 8 & slides | color | live & recorded sound | ca 20’00
At a meeting of analogue film artists, Bains argentiques in 2016, in Nantes, three colleagues Ж, Deborah & Tobias began to explore aspects of this complementary colour combination on a number of levels. The nature of language and misunderstanding through translation plays a crucial role.
Ж, who, among other things, came up with the title, can not be in Brussels because he lives & works in Brazil. He is, nonetheless, an essential part of this exploration of the dynamic of complementary contrasts.

Q&A
with Deborah S. Phillips, Tobias Schmücking, and Wolfgang in der Wiesche

● ●

DAGVORM_CINEMA | dagvorm_cinema is a mini-cinema, made with little means but with bigger aspirations. Consisting of 22 comfortable chairs and a big screen, it’s temporally located on the 6th floor of the former headquarters of Actiris, a stonethrow away from the Bourse.

dagvorm_cinema is a place born out of a passion for cinema and an urge to share the films (food and music) we value with our close friends, lovers, aquaintances, future friends and people who are willing to discover. We’ll organise regular screenings ourselves, collaborate with other initiaves as much as possible.

Instagram: dagvorm_cinema_bxl
Webpage: www.dagvorm.be

● ●

CINEMA PARENTHÈSE
Cinema Parenthèse is a collective of writers, programmers and filmmakers that organizes experimental film screenings and dialogues in Brussels. Current members are Wendy Evan, Els van Riel, Nicky Hamlyn, Daniel A. Swarthnas and Arindam Sen.

Facebook: Cinema Parenthèse
Contact: cinema.parenthese@mail.com
Subscribe for mail news: http://eepurl.com/dysyED

–

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

–

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ ALCHEMY FILM FILM and MOVING IMAGE FESTIVAL 2019 SCOTLAND | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

 

 

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

Alchemy FILM and MOVING IMAGE FESTIVAL 2019 | MAY 02-06, 2019 | (click link for more…)

Alchemy Film & Arts | Room 305
Heart of Hawick | Kirkstile
Hawick TD9 0AE
Scotland, UK

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone
(added June, 2019) excerpt from: Wild wonder inside and out at Alchemy 2019

New creative director Michael Pattison encouraged audiences to “embrace the strange” at this invigorating festival where the experiences counted for as much as the work.

Ben Nicholson

…

“Colour also played a significant role in one of the other ‘In Focus’ events – that of the work of Deborah S. Phillips. In a less conventional screening, Phillips presented her own work including her red-hued blend of collage, animation and text Capsicum (2008), and her overlaid, superimposed examination of green Im Grünen Bereich (2017). Phillips has spent a decade utilising found objects, natural materials and text to create colour studies. In the screening she revealed that she still hasn’t quite worked out how she feels about blue, and so the session opened up into a freeform discussion about the associations of the colour and how different languages approach it – all while two slide projectors clacked through cerulean compositions that slowly seemed to conform to the emotive qualities being described and discussed by the audience.”

…

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ DIFFRAKTION #9 | by Deborah Phillips | BERLIN | Feb.2nd | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | stills from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 | © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

LaborBerlin e.V. presents the ninth edition of DIFFRAKTION, the annual showcase highlighting new works by LaborBerlin members and friends on

Saturday | February 2nd, 2019

opens at 7:00 p.m. | begins at 7:30 p.m.
7€ entry (Limited tickets)

With works by Natalia Fentisova, Alejo Franzetti, Isma Gane, Dr. Globus & Busenvolk, Labodoble (Bagdasarov/Moralesová), Luisa Greenfield, Tomasz Konart, Bernd Lützeler, Melina Pafundi & Deborah S. Phillips

The evening is moderated by Maria Morata & Alejo Franzetti.

image courtesy © labor berlin

LaborBerlin e.V.
Prinzenallee 58, 13359 Berlin
labor.organisation [a] gmail [.] com

find information on upcoming screenings of film works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

–

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

invitation | Einladung | spektral | group exhibition | Produzentengalerie BB | Kornelimünster | Vernissage 2018.12.07 | WELCOME

© ww 2018 | tactile | mixed media on Arches Aquarelle | Mischtechnik auf Arche Aquarelle | 56,5×76,2 cm | 10/2018

(open in new window to view full size)

–

I N V I T A T I O N   |   E I N L A D U N G

spektral   |   Thomas Bauer | Gerd Beisbarth | Rainer Bauer | Wolfgang in der Wiesche

Vernissage | 07.12.2018 um 18:00 Uhr
Finissage | 15.12.2018 um 12:00 Uhr

courtesy © BB 2018 | flyer | spektral | front and back | graphics by Thomas Bauer

(click any image to open gallery view, open in new window to view full size)

YOU’RE CORDIALLY INVITET

PRODUZENTENGALERIE BB
Oberforstbacher Straße 7a
52076 Aachen/ Kornelimünster
T 02408.719 506 6
M 01575.107 483 0
produzentengalerie.bb@gmail.com
http://produzentengalerie-bb.de

–

running exhibition:

© ww 2018 | WOLFGANG IN DER WIESCHE – ISO | flyer front | graphics by ww

(click image to open gallery view)

WOLFGANG IN DER WIESCHE | ISO 9613-1 | KLINGT SO SUITE

Hochschule für Musik und Tanz Köln, Standort Aachen | 27.10. – 23.12.2018

Ausstellungsdauer | 27.10. – 23.12.2018 | Theaterplatz 16 | 52062 Aachen

–

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

video work | cloud love boat | selected for Global Videos, 70 Years of Human Rights | Stichting whitecube, NL | intl. screening starts Nov., 24

© ww/ngg 2016 | cloud love boat | 1-channel video, 2:30 min | cooperation with Nikolaus Gojowczyk-Groon | 2016

(video might be online viewable for a few days only…)

© global videos/stichting whitecube 2018 |

(open in new window to view full size)

© global videos/stichting whitecube 2018

(open in new window to view full size)

70th Anniversary of the Universal Declaration of Human Rights
A World Wide Video-art Project!
On 10 December 1948 the UN-Council adopted the Universal Declaration of Human Rights. Each year this day is marked as the International Day of Human Rights. To mark this years 70th anniversary Dutch Foundation White Cube created an art-project, that allows artists and audiences from each corner of the world to celebrate this event.

Using the internet artists sent in their art-videos about human rights to Foundation White Cube. A jury selected 21 videos for this project and on its turn the foundation sends these videos back into the world again. Venues in Nepal, Italy, Pakistan, Germany, Hong Kong and the Netherlands will show these videos to their audiences for free.

Creator of this project, Jeroen van Paassen explains:”To celebrate human rights it is essential that there are no barriers. Entrance fee can be a barrier for some audiences. We offer these videos for free to our partners, so that they can show them for free. Human Rights are universal, therefore it should be inclusive.”

2016 was the first year Global Videos was organized. Now in 2018 it is held for the 2nd time with 21 art-videos. Each of these videos last maximum 4 minutes.

The participating artists are (in random order)
Wolfgang in der Wiesche & Nikolaus Gojowczyk-Groon Germany / Eca Eps Nigeria / Mohammad Bin Lamin Libya / Tetsushi Higashino Japan / Danny Germansen Denmark / Pernille Lonstrup Denmark / Ehab Aziz Egypt / Beck & Collin Stafford USA / Lisi Prada Spain / Natercia Chang Macau SAR / Selene Citron & Luca Lunardi Italy / Iris Poljan & Rahman Hak-Hagir Croatia & Austria / Maria Felix Korporal the Netherlands / Dik Bol the Netherlands / Karin van der Molen the Netherlands / Abdoul-Ganiou Dermani Togo / Rahman Hak-Hagir & Andreas Draxler Austria / Sylvia Toy St Louis USA / Joyce Overheul the Netherlands / Gilivanka Kedzior France / Elisabetta Di Sopra Italy

video work | cloud love boat | by Wolfgang in der Wiesche – Nikolaus Gojowczyk-Groon | selected for Global Videos, 70 Years of Human Rights | Stichting whitecube, NL | international screening starts Nov., 24

 

 

© ww/ngg 2016 | cloud love boat, video stills | 1-channel video, 2:30 min | cooperation with Nikolaus Gojowczyk-Groon | 2016

cloud love boat is an artistic statement about the transcultural power of love and the driving force of multicoloured creativity through times, regardless of restraint and oppression.

Our latest video work refers to our first collaborative 2-channel video installation island, created 2009.

 

December 10, 1948 – 2018 | 70 Years of Human Rights

28 art viedos from every part of the globe to every part of the globe| Bringing the importance of human rights to a global audience

Global Videos is supported by:
GLOBAL VILLAGE ARTIST NETWORK | Stichting whitecube | MEHREEN HASHMI

screenings

24th November 2018, 18:30h | Micro Galleries/Kaalo 101 | Patan, Kathmandu, Nepal

08th December 2018 | cold bench |Milan, Italy

08th & 9th December 2018 | MuiWo Film Festival | Lantau Island, Hong Kong SAR

09th December 2018, 15:00h | 37PK | Haarlem, the Netherlands

09th December 2018, 17:00h | The Second Floor | Karachi, Pakistan

10th December 2018, 18:00h | Friedman Projekte | Berlin, Germany

01st-03rd February 2019 | PLAY room | Zaandam, the Netherlands

 

 

© global videos/stichting whitecube 2018

–

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de