DETAILS AND REFLEX(ES) pt. II |still running | ISO 9613-1 | KLINGT SO SUITE | HfMT Köln, Standort Aachen | 27.10. – 23.12.2018

 

© ww 2018 | DETAILS & REFLEX(ES)ISO 9613-1 | mobile photography by ww 10/2018

(click any image to open gallery view)

images taken at the now running  exhibition

WOLFGANG IN DER WIESCHE | ISO 9613-1 | KLINGT SO SUITE

Hochschule für Musik und Tanz Köln, Standort Aachen | 27.10. – 23.12.2018

Ausstellungsdauer | 27.10. – 23.12.2018

die Ausstellung kann zu den Öffnungszeiten
der Hochschule besucht werden
täglich 09:00 – 21:30 Uhr (01.11.geschlossen)

Theaterplatz 16 | 52062 Aachen

Programminfo der Hochschule

Malerei in der Musikhochschule | Aachener Zeitung, 27. November 2018, Ingrid Peinhard-Franke (English below)

Das Zusammenbringen von Musik, Malerei und Zeichnung ist schon lange die tagtägliche Arbeit des Aachener Künstlers Wolfgang in der Wiesche, der gleichermaßen malt und komponiert. In seiner aktuellen Ausstellung in der Hochschule für Musik und Tanz zeigt er nun neue Bilder, die sich etwa der Darstellung und dem Verschwinden des Schalls widmen und gleichzeitig gesellschaftskritische Themen aufgreifen.

Unter dem Titel „Iso 9613-1 I Klingt so Suite“ beschäftigt er sich malerisch mit der Dämpfung des Schalls bei der Ausbreitung im Freien, also der Absorption des Schalls in der Luft und durch die Luft. Mit der Frage nach der Endlichkeit von Schall, Klang und damit auch Musik verknüpft er die Frage nach der Endlichkeit des Sehens und integriert politische Fragen in Themen der Physik und Philosophie.

Hauptsächlich geht es ihm dabei um die Möglichkeiten, den derzeit gewaltigen gesellschaftlichen Polarisierungen zu entkommen und offene Systeme zu finden und zu diskutieren, die mehr Vielfalt und Verantwortung bieten. Damit erweitert Wolfgang in der Wiesche den Themenkatalog von Musik- und Kunstwelten enorm und macht seine Kunst zum Transportmittel brennender Fragen und notwendiger Antworten.

Wolfgang in der Wiesche ist Malerei-Meisterschüler der Hochschule für Bildende Künste Braunschweig und lebte und arbeitete viele Jahre unter anderem in Indien und China und stellte in vielen Ländern Europas und Asiens aus. Die Ausstellung in der Hochschule für Musik und Tanz, Theaterplatz 16, hängt bis zum 23. Dezember 2018 im Foyer und den angrenzenden Fluren und kann täglich zwischen 9 und 21.30 Uhr besichtigt werden.

Malerei in der Musikhochschule | Aachener Zeitung, 27. November 2018, Ingrid Peinhard-Franke

Bringing together music, painting and drawing has long been the regular work of the Aachen artist Wolfgang in der Wiesche, who both paints and composes. In his current exhibition at the Hochschule für Musik und Tanz, he now shows new pictures that are dedicated to the depiction and disappearance of sound, for example, while at the same time addressing socially critical themes.

Titled “Iso 9613-1 | Klingt so Suite” he painterly deals with the damping of sound during propagation outdoors, i.e. the absorption of sound in the air and through the air. With the question of the finiteness of sound, sound and thus also music, he links the question of the finiteness of seeing and integrates political questions into topics of physics and philosophy.

His main focus is on the possibilities of escaping the currently enormous social polarizations and finding and discussing open systems that offer more diversity and responsibility. Thus Wolfgang in der Wiesche expands the catalogue of themes of music and art worlds enormously and turns his art into a means of transporting burning questions and necessary answers.

Wolfgang in der Wiesche is a master student in painting at the Braunschweig University of Fine Arts and has lived and worked for many years in India and China, among other places, and has exhibited in many European and Asian countries. … (sorry for any mistakes in the translation)

 

© ww 2018 | WOLFGANG IN DER WIESCHE – ISO | flyer front, back | graphics by ww

(click image to open gallery view)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

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good news | been selected for Artist of the Week series @ Saatchi Art | Nov., 19 – 26 | by curator Aurora Garrison, Los Angeles

WW_OUTLET

© ww 2018 | OUTLET | diptych | acrylics/collage on wood, reworked painting by MP (Monika Petschnigg) | 23,7×19 | 23,9×19 cm | 07/2018

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I’m very pleased to announce that I have been selected for the Artist of the Week series at Saatchi Art by curator Aurora Garrison, Los Angeles | thank you so much!!

Ich freue mich sehr, ausgewählt worden zu sein für die Artist of the Week – Serie bei Saatchi Art durch Kuratorin Aurora Garrison, Los Angeles | vielen Dank!!

Saatchi Art | Artist of the Week | Nov., 19 – 26 | Wolfgang in der Wiesche

feel free to view my portfolio @ Saatchi Art (click link)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

IMAGINÄRE LANDSCHAFTEN | IMAGINARY LANDSCAPES | zurück aus | back from | KUNSTVEREIN NEUKÖLLN | BERLIN

WW_IL_package_6
© ww 2018 | imaginary landscapes back from Kunstverein Neukölln, Berlin VI | digital photography by ww | 10/2018
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© ww 2018 | imaginary landscapes back from Kunstverein Neukölln, Berlin I/III/IV/V/VII | digital photography by ww | 10/2018

(click any image to open gallery view)

see also | IMAGINÄRE LANDSCHAFTEN | IMAGINARY LANDSCAPES

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

DETAILS AND REFLEX(ES) pt. I |now running | ISO 9613-1 | KLINGT SO SUITE | HfMT Köln, Standort Aachen | 27.10. – 23.12.2018

© ww 2018 | DETAILS & REFLEX(ES)ISO 9613-1 | mobile photography by ww 10/2018

(click any image to open gallery view)

images taken at the now running  exhibition

WOLFGANG IN DER WIESCHE | ISO 9613-1 | KLINGT SO SUITE

Hochschule für Musik und Tanz Köln, Standort Aachen | 27.10. – 23.12.2018

Ausstellungsdauer | 27.10. – 23.12.2018

die Ausstellung kann zu den Öffnungszeiten
der Hochschule besucht werden
täglich 09:00 – 21:30 Uhr (01.11.geschlossen)

Theaterplatz 16 | 52062 Aachen

Programminfo der Hochschule

© ww 2018 | WOLFGANG IN DER WIESCHE – ISO | flyer front, back | graphics by ww

(click image to open gallery view)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

Deborah printing | photographic studies | neue Arbeiten von | new works by | Wolfgang in der Wiesche

 

 

© ww 2018 | Deborah printing (Kunstquartier Bethanien, Berlin) | digital photography | pigmented ink jet print on archival matte paper | each 30 x 45 cm | 08/2018

(click any image to open gallery view)

…to give a more complete impression in addition to the previous post of the photo session while Deborah worked on a lithographic print series at Kunstquartier Bethanien, Berlin, thanks so much for having me around…

visit Deborah S. Phillip’s wordpress blog also by clicking the link…

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

ASPECTS OF THE DIPTYCH | participation 3rd ArtCamp Siegen | initiator Thomas Kellner | 30.06.2018 | selection of works presented

 

 

© ww 2018 | SANGKAE CAM (questions to Cambodia) | edition | digitale Fotografie | digital photography | 02/2018 || © ww-2018  | JOY LUCK LOVE I & II – diptych | digitale Fotografie | inkjet pigmentiert | digital photography  |  pigmented ink jet print | edition | 02/2018 || © ww-2017  | – – – 1 | (the mystery of eternal growth) | diptych | digitale Fotografie | inkjet pigmentiert | digital photography  |  pigmented ink jet print | edition | 10/2017 || © ww-2014/2015  | selbst – biometrisches Passbild auf Bambus | self portrait | biometric id photo on bamboo | digitale Fotografie | inkjet pigmentiert | digital photography  |  pigmented ink jet print | 01/2015 || © ww 2015/16 | twilight-ICE I/II | edition | digitale Fotografie | digital photography | pigmented inkjet on Epson Archival Matte Paper | 30 x 45 cm |  09/2015 || © ww-2014 | wolfgang in der wiesche | escalated (PHOTO BEIJING 2014) | digitale Fotografie (2-teilig) | digital photography (diptych) | 10/2014 | edition of 30 | pigmented inkjet print on Archival Matte Paper | each 38 x 28,5 cm || © ww-2014 | wolfgang in der wiesche | RED CARPET I/II (PHOTO BEIJING 2014) | digitale Fotografie (2-teilig) | digital photography (diptych) | 10/2014 | pigmented inkjet print on Archival Matte Paper | each 28,5 x 38 cm || © TNeF/ww 2015 | SWITCHING-1 | to repot Japanese maple in Germany using Korean cutlery  | diptych | network screen and performance still | digital photography by Wolfgang in der Wiesche | 10/2015 || © TNeF/ww 2015 | WORK & ART | BLOOD MOON (for Katja the dog) | cleaning, red adhesive tape on painting by an unknown painter and it’s frame | diptach | digital photography by Wolfgang in der Wiesche | 10/2015 || © TNeF/ww 2015 | MIGRATION | LUDO | diptych | network screen and performance still | digital photography by Wolfgang in der Wiesche | 10/2015 || © TNeF/ww 2015 | NEWS ART | filling up 27 glasses of water (feeding my plants with it offline) | diptych | network screen and performance still | digital photography by Wolfgang in der Wiesche | 10/2015 || © ww-2014 | BAUMSPINNE | TREE SPIDER | digitale Fotografie (2-teilig) | digital photography (diptych) | 03/2014 | pigmented inkjet print on Premium Semigloss Paper | each 38 x 57 cm | edition of 30 || © ww-2013  |  condensed (diptych) | digital photography, pigmented inkjet print, 05/2013 || © ww-2013 | CHINA BIKE 1993-2013 | Digitale Fotografie, Diptychon | digital photography, diptych | Inkjet pigmentiert auf Epson Archival Matte Paper | pigmented inkjet print | je/each 28,5 x 38 cm || © ww-2013 | A (back to nature) | digitale Fotografie (2-teilig) | digital photography (diptych) | 08/2013 (photography 09/2011) | pigmented inkjet print on Archival Matte Paper | each 28,5 x 38 cm || © ww-2014 | wolfgang in der wiesche | DUESSEL WEST | DUESSEL EAST | digitale Fotografie (2-teilig) | digital photography (diptych) | 01/2014 (shot 2008) | pigmented inkjet print on Archival Matte Paper | each 28,5 x 38 cm || © ww-2007 | Wolfgang in der Wiesche | reflexion | digitale Fotografie (2-teilig) | digital photography (diptych) | pigmented ink jet print on archival matte paper | each 28,5 x 38 cm | edition 30 | shot Dec 2007 | 12/2007/2012 || © ww-2007 | thekkady – manipal | digitale Fotografie (2-teilig) | digital photography (diptych) | 02/2006 | pigmented inkjet print on Premium Semigloss Paper | each 38 x 57 cm | edition of 30 || © ww-2004 | 2015 | Bombay Children – Pavement Sleepers | digitale Fotografie | digital photography | shot 03/2004 || © ww-2003 | BOM BY NIGHT 1 | 2 | edition of 30 | digital photography, diptych | pigmented Ink Jet on Archival Matte Paper | Size: each 28,5 x 38cm | shot Jan 2003, Bombay/Mumbai, India

(click any image to open gallery view)

 

I’m happy that I have been invited again by initiator and art photographer THOMAS KELLNER for participation @ the 3rd ArtCamp Siegen 2018 | the images above were part of my presentation: ASPECTS OF THE DIPTYCH, following HYBRID – META at 2nd ArtCamp Siegen 2017 and Diversity/Plurality as an Artistic Strategy (2016)

Ich freue mich, erneut von dem Initiator und Künstler THOMAS KELLNER für die Teilmahme an dem 3. ArtCamp Siegen 2018 ausgewählt und eingeladen worden zu sein| die oben gezeigten Bilder waren Teil meiner Präsentation: ASPEKTE DES DIPTYCHONS nachfolgend meiner Präsentation HYBRID – META (2017) und meiner Präsentation Vielfalt als künstlerische Strategie (2016)

TEILNEHMENDE | PARTICIPANTS

Claudia Fährenkemper, Werne // Matthias Koch, Becherschüler, Bremen //  Thomas Kellner, Siegen // Ralf Litera, Sauerland // Daniel Schumann, Düsseldorf // Wolfgang in der Wiesche, Aachen // Amy Liu, Pingyao International Photography Festival, Shen Gubo, Taiyuan, China

PRINTS AVAILABLE – please contact me for original, prints or order from saatchi art

view portfolio  |  @  saatchi art  ||  @ Pollock-Krasner Foundation  ||  @ artward
Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

three (3) art projects – 3 / 3 | Wolfgang in der Wiesche

© WW/NGG 2015/2016 | AUTO IM MO RT AL | by Wolfgang in der Wiesche & Nikolaus Gojowczyk-Groon | var. objects, video projection, photographs, sound | installation view | photography by WW | 01/2016 | series: AUTO IM MO RT AL II | SUV I-V | digital photography, pigmented inkjet print, edition of 30 | photography: Nikolaus Gojowczyk-Groon

(click any image to open gallery view)

This post is part 3 of 3 introducing three selected art projects I have realised or participated in for the special occasion of the submission of an application to KYOTO ART CENTER for 2019:

AUTO IM MO RT AL  @  ERFAHRUNGSRAUM AUTOBAHN

multimedia installation by Wolfgang in der Wiesche & Nikolaus Gojowczyk-Groon was presented in January/February, 2016 @

aha_AB_flyer_front  aha_AB_flyer_back

© courtesy aha | Atelierhaus Aachen e.V., 2016 | flyer front/back

 

© ww 2016 |1| AUTO IM MO RT AL I  – 398 | edition | digital photography | 12/2015 |2| AUTO IM MO RT AL I  – 411 | edition | digital photography | 12/2015 |3| AUTO IM MO RT AL I  – 447 | edition | digital photography | 12/2015 | 4| AUTO IM MO RT AL I  – 421 | edition | digital photography | 12/2015

(click any image to open gallery view)

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  || @  LensCulture  ||  @ artward

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de