time travel | re:view | feature 1996 | viola & keyboards | Wolfgang in der Wiesche

© ww-1996 | viola & keyboards…

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© ww-1996 | viola & keyboards…

(open in new window to view full size)

RE:VIEW | to draw some attention – to my release of my third music album | tr2 men zen | it’s time for a re:view, here‘s another

photograph most likely during a rehearsal for
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Western Lands, Highway zur Ewigkeit
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theatre performance based on writings by william s. burroughs, l.o.t.- theatre group, 1996, w. elke utermöhlen (acting, singing), martin slawig (percussion), belinda duschek (acting, singing), and others

tr2 men zen | duo Improvisations for bass and guitar/ sampler | more soon, stay tuned…
.
My third album now released with the help of MusicHub/Zebralution, Berlin, and will be step by step AVAILABLE @ Amazon Music / Apple Music / iTunes / Deezer / Napster / Spotify / Tidal / YouTube Music / Facebook / Instagram / TikTok / | working on more…
.
@joinmusichub
@caspar_michael_kusmierz

powered by NEUSTART KULTUR GEMA

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner FoundationNew York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

tr2 men zen | wolfgang in der wiesche & michael kusmierz | upcoming album release | xtendedline

© ww 2002/2022 | tr2 men zen – wolfgang in der wiesche & michael kusmierz | cd/album | release 2022 | cover art ©ww 2002
.
I‘m thrilled to announce the
.
UPCOMING NEW ALBUM RELEASE
RELEASE DATE | 22.09.2022

.
tr2 men zen | duo Improvisations for bass and guitar/ sampler | more soon, stay tuned…
.
My third album will again be released with the help of MusicHub/Zebralution, Berlin, and will be step by step AVAILABLE @ amazon music / apple music / iTunes / Deezer / Napster / Spotify / Tidal / YouTube | more will follow…
.
@joinmusichub
@caspar_michael_kusmierz

powered by NEUSTART KULTUR GEMA

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner FoundationNew York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

time travel | re:view | feature 1979-81 I | on keyboards | Wolfgang in der Wiesche

© ww-1979-81 | on keyboards…

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RE:VIEW | to draw some attention – preparing to release my third music album | tr2 men zen | it’s time for a re:view, here‘s a photograph taken approx. between 1979-81 playing my Fender Rhodes and Korg Delta. Dating is sure after the 1979 summer since there’s the “Rock gegen Rechts” sticker from the first open air in Frankfurt where I went on the back of the Rhodes. More soon…

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner FoundationNew York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

upcoming film screening | @ EM ARTS INDEPENDENT FILM SHOW 22 EDITION | NAPOLI | films by Thomas Bartels | Music & Sound Design: Wolfgang in der Wiesche

© top3 images courtesy | Laboratorium, Thomas Bartels | stills from: Fragile Esquif | Michanevomai | Ikiliikkuja || © image4 screenshot, 2011 by ww | sound design in progress || © image5 | self portrait as a composer, 2007

(click any image to open gallery view)

I’m pleased to announce that after a period of time three films by Thomas Bartels (link to vimeo) will be screened at the

INDEPENDENT FILM SHOW 22 EDITION at EM ARTS (Euro Mediterranean Arts) NAPOLI, Italy (link)

THOMAS BARTELS Selected 35mm film works presented by Telemach Wiesinger (screened digitally) – giovedì 16 giugno 2022

Euro Mediterranean Arts

Via Petrarca, 50
80122 Napoli
tel. +39 081 5641655
fax. +39 081 5641494

info@em-arts.org

raffaella@em-arts.org

FRAGILE ESQUIF, D 2011, 35mm, 1:1.85, color, sound, 17 min. – In endlos weißer Leere schwebt das Gerippe eines Bootes. Ein Mann sitzt darin. Er paddelt durch dies lichte Meer. Er hält Ausschau. Er zeichnet. Er dreht sich im Kreis. Er angelt im Nichts. Eine Flaschenpost taucht auf.

Dressed completely in white a man gets lost in a luminous void of space. His thoughts spin in spirals. All activity in this vast nothingness shows no result. When he finally settles in a boat for fishing a message pop up in a bottle…

Director, actor, rostrum camera, editing: Thomas Bartels
Photography: Yvonne Salzmann, Sonja Wegener
Music and sound-design: Wolfgang in der Wiesche
Shakuhatchi: Uwe Walter
Funding: nordmedia Fonds GmbH

IKILIIKKUJA – PERPETUUM MOBILE, D 2005, 35mm, 1:1.66, b/w, sound, 5 min. – Zwei Männer, eine Flasche, Schwarz und Weiß, Yin und Yang. Was für den einen leer, ist für den anderen voll. Von Markku Peltola, dem Hauptdarsteller aus Aki Kaurismäkis Film DER MANN OHNE VERGANGENHEIT, stammt die ebenfalls sehr reduzierte Musik

Two men, one bottle. Black and white. Yin and yang. What is empty for one is full for the other. Peltola who is the main character in Aki Kaurismäki’s film The Man Without A Past adds a place- and timeless folk music. With very few notes, it says all there is to say.

concept, photography, optical works: Thomas Bartels
music: Markku Peltola
production company: KAROFILM

MICHANEVOMAI – ICH ERSINNE EINE LIST, D 2004, 35mm, 1:1.37, color, sound, 9 min. 30sec. – Kinetische Skulpturen träumen Menschenbilder. Männer und Frauen umkreisen einander als blaue Schatten in endlosen Schleifen. Doch wenn sie schließlich im Kuss verschmelzen, ist das ein Traum: Ein Happy End, kitschig wie Kino.

2004, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW

A poetic journey through a mechanical universe. Electric shadows of men and women circle around each other in endless loops. They finally meet in THE KISS. But it’s just a dream.

cinematographic twaddle: the happy end
concept, photography, animation, editing: Thomas Bartels
music & sounds: Wolfgang in der Wiesche
production company: KAROFILM
supported with a grant by BKM

Auszeichnungen/acknowledgements für Filme von | Thomas Bartels | Wolfgang in der Wiesche | Auswahl

2009
Haut der Dinge
Prädikat ‚besonders wertvoll’, Kurzfilm des Monats (März),
Filmbewertungsstelle FBW Wiesbaden

2004
Michanevomai
Prädikat ‚wertvoll’, Filmbewertungsstelle FBW

2000
The Day Slows Down As It Progresses
Auszeichnung Förderpreis der Jury, Filmkunstfest Schwerin
The Day Slows Down As It Progresses
2000, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW
2002, Auszeichnung Förderpreis der Jury, Filmkunstfest Schwerin
2008, DVD Compilation ‘Ständig in Bewegung’, Tendenzen experimenteller Film- und Videoarbeiten in Deutschland 1994-2004, Goethe-Institut

THOMAS BARTELS @ LIGHTCONE PARIS (link)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner FoundationNew York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

music for films | full album on deezer | Wolfgang in der Wiesche

https://deezer.page.link/s6kxRYdt7AXLw1VZ6

click LINK above for listening on deezer to

music for films

Feb., 7, 2021 released with support by MusicHub/Zebralution, Berlin

AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | Instagram / more will follow…

I recommend listening to the full album, enjoy…
music composed for
experimental short films
xtended line (1997)

private release
edition 300 pcs.

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021 | music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify / Instagram | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

Happy to share | MOSAïC & 71 online @ arsenal 3 in Nov. | films by Deborah Phillips | music & sound design for MOSAïC by Wolfgang in der Wiesche feat. Saadet Türköz

M O S A ï C , still images courtesy © deborah phillips, 2001

(click any image to open gallery view)

fantastic NEWS | for the whole of November 2021 two films by Deborah Phillips can be viewed online in a programme featured by arsenal 3 (Berlin) | M O S A ï C, music & sound design by myself featuring Saadet Türköz, vocals, and 71

LINK TO THE arsenal 3 PROGRAMME (please click)

mehr Info bei Deborah Phillips | http://deborahsp.wordpress.com
M O S A ï C | war im jahr 2001 offizieller deutscher Beitrag für das Jahr des Dialogs der Kulturen der UN | was chosen as the official German contribution to the Year of Dialogue of the Cultures, UN, 2001

experimental film, 16/35mm, c, 45min., dolby sr, 2001, Deborah Phillips
music: Wolfgang in der Wiesche: sampler, programming, flute, frame drum, viola, el. guitar, ukulele / featuring Saadet Türköz: vocals / Jacob Wizman & David Suissa: vocals

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

re:view for a reason | insomnios | album released for stream and download | mar., 07, 2021 | music by wolfgang in der wiesche

LOT_WW_insomnios_performance_solo

© courtesy LOT/ww 2001 | insomnios, dance performance | photographs by LOT Theater, Braunschweig, digital repro Wolfgang in der Wiesche | 03/2021

(open in new window to view full size)

© ww 2001 | insomnios – wolfgang in der wiesche | cd/album | online release 2021 | cover art ©ww 2001

(click any image to open gallery view)

© courtesy LOT/ww 2001 | insomnios, dance performance | photographs by LOT Theater, Braunschweig, digital repro Wolfgang in der Wiesche | 03/2021

(click any image to open gallery view)

I’m happy to announce that on March, 7, 2021 my second album | insomnios | was released with the help of MusicHub, Berlin and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | more will follow…

I originally composed the music of this album for the theatre dance performance INSOMNIOS, LOT Theater, Braunschweig, 2001, and performed it live on stage. You’ll find more images of rehearsals and the perfomances in the previous and the following posts. I soon later rerecorded all tracks live in studio and with a few modifications put the album together. Even though several record labels showed interest in the music in the following years I couldn’t get it published. Now finally, almost exactly 20 years later I took the chance with a new publishing concept of MusicHub, Berlin. Many thanks to everyone at MusicHub and Zebralution Digital Media Distribution!! The album was released on March, 7, 2021.

Dance: Graciela Gonzalez de la Fuente, Anton Reza
Painting: Chen Yun Wang
Music and composition: Wolfgang in der Wiesche
Idea: Graciela G. de la Fuente and Chen Yun Wang

A production in cooperation with Dieter Krockauer and the LOT-Theatre Braunschweig.

Premiere: 17 January 2001, 8 pm. In memoriam Anzu Furukawa.

Instruments used | Akai S 1000, Ensoniq ESQ 1, 2 cd players, flute, viola, frame drum, ukulele, effects
live recorded direct to DAT and Roland VS1680, mastering on VS1680, 48kHz, 24bit
composed and performed by Wolfgang in der Wiesche, all tracks: Gema
© Wolfgang in der Wiesche, xtended line 2001/2021

ENJOY LISTENING @ amazon music / apple music/iTunes / Deezer / Napster / Spotify

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de