upcoming film screening | @ EM ARTS INDEPENDENT FILM SHOW 22 EDITION | NAPOLI | films by Thomas Bartels | Music & Sound Design: Wolfgang in der Wiesche

© top3 images courtesy | Laboratorium, Thomas Bartels | stills from: Fragile Esquif | Michanevomai | Ikiliikkuja || © image4 screenshot, 2011 by ww | sound design in progress || © image5 | self portrait as a composer, 2007

(click any image to open gallery view)

I’m pleased to announce that after a period of time three films by Thomas Bartels (link to vimeo) will be screened at the

INDEPENDENT FILM SHOW 22 EDITION at EM ARTS (Euro Mediterranean Arts) NAPOLI, Italy (link)

THOMAS BARTELS Selected 35mm film works presented by Telemach Wiesinger (screened digitally) – giovedì 16 giugno 2022

Euro Mediterranean Arts

Via Petrarca, 50
80122 Napoli
tel. +39 081 5641655
fax. +39 081 5641494

info@em-arts.org

raffaella@em-arts.org

• Italiano

FRAGILE ESQUIF, D 2011, 35mm, 1:1.85, color, sound, 17 min. – In endlos weißer Leere schwebt das Gerippe eines Bootes. Ein Mann sitzt darin. Er paddelt durch dies lichte Meer. Er hält Ausschau. Er zeichnet. Er dreht sich im Kreis. Er angelt im Nichts. Eine Flaschenpost taucht auf.

• Thomas Bartels

Dressed completely in white a man gets lost in a luminous void of space. His thoughts spin in spirals. All activity in this vast nothingness shows no result. When he finally settles in a boat for fishing a message pop up in a bottle…

Director, actor, rostrum camera, editing: Thomas Bartels
Photography: Yvonne Salzmann, Sonja Wegener
Music and sound-design: Wolfgang in der Wiesche
Shakuhatchi: Uwe Walter
Funding: nordmedia Fonds GmbH

IKILIIKKUJA – PERPETUUM MOBILE, D 2005, 35mm, 1:1.66, b/w, sound, 5 min. – Zwei Männer, eine Flasche, Schwarz und Weiß, Yin und Yang. Was für den einen leer, ist für den anderen voll. Von Markku Peltola, dem Hauptdarsteller aus Aki Kaurismäkis Film DER MANN OHNE VERGANGENHEIT, stammt die ebenfalls sehr reduzierte Musik

• Thomas Bartels

Two men, one bottle. Black and white. Yin and yang. What is empty for one is full for the other. Peltola who is the main character in Aki Kaurismäki’s film The Man Without A Past adds a place- and timeless folk music. With very few notes, it says all there is to say.

concept, photography, optical works: Thomas Bartels
music: Markku Peltola
production company: KAROFILM

MICHANEVOMAI – ICH ERSINNE EINE LIST, D 2004, 35mm, 1:1.37, color, sound, 9 min. 30sec. – Kinetische Skulpturen träumen Menschenbilder. Männer und Frauen umkreisen einander als blaue Schatten in endlosen Schleifen. Doch wenn sie schließlich im Kuss verschmelzen, ist das ein Traum: Ein Happy End, kitschig wie Kino.

2004, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW

• Thomas Bartels

A poetic journey through a mechanical universe. Electric shadows of men and women circle around each other in endless loops. They finally meet in THE KISS. But it’s just a dream.

cinematographic twaddle: the happy end
concept, photography, animation, editing: Thomas Bartels
music & sounds: Wolfgang in der Wiesche
production company: KAROFILM
supported with a grant by BKM

Auszeichnungen/acknowledgements für Filme von | Thomas Bartels | Wolfgang in der Wiesche | Auswahl

2009
Haut der Dinge
Prädikat ‚besonders wertvoll’, Kurzfilm des Monats (März),
Filmbewertungsstelle FBW Wiesbaden

2004
Michanevomai
Prädikat ‚wertvoll’, Filmbewertungsstelle FBW

2000
The Day Slows Down As It Progresses
Auszeichnung Förderpreis der Jury, Filmkunstfest Schwerin
The Day Slows Down As It Progresses
2000, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW
2002, Auszeichnung Förderpreis der Jury, Filmkunstfest Schwerin
2008, DVD Compilation ‘Ständig in Bewegung’, Tendenzen experimenteller Film- und Videoarbeiten in Deutschland 1994-2004, Goethe-Institut

THOMAS BARTELS @ LIGHTCONE PARIS (link)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ART, Basel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || @ Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

MOSTRA DE CINEMA PERIFÉRICO | A CORUÑA SPAIN | EDICIÓN DUAL EDITION | 28/5-6/6 2021 | films by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

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image courtesy © Deborah S. Phillips | stills from: SANTOOR | M O S A ï C | UNTITLED COLOURMATION | PURIM | CAPRICUM | IM GRUENEN BEREICH | YONG BU FANG CHI

(click any image to open gallery view)

image courtesy © MOSTRA DE CINEMA PERIFÉRICO 2021

(open in new window to view full size)

I’m delighted to announce two days of screening of films by DEBORAH PHILLIPS at

MOSTRA DE CINEMA PERIFÉRICO | A CORUÑA SPAIN | EDICIÓN DUAL EDITION | 28/5-6/6 2021

click links to find out more |

PROGRAMA 1 Jueves 3 de junio | 19:00 h | Filmoteca de Galicia |

PROGRAMA 2 Domingo 6 de junio | 17:00 h | SALA (S8) PALEXCO

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

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© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ART, Basel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || @ artdoxa || @ Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ ALCHEMY FILM FILM and MOVING IMAGE FESTIVAL 2019 SCOTLAND | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

 

 

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

Alchemy FILM and MOVING IMAGE FESTIVAL 2019 | MAY 02-06, 2019 | (click link for more…)

Alchemy Film & Arts | Room 305
Heart of Hawick | Kirkstile
Hawick TD9 0AE
Scotland, UK

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone
(added June, 2019) excerpt from: Wild wonder inside and out at Alchemy 2019

New creative director Michael Pattison encouraged audiences to “embrace the strange” at this invigorating festival where the experiences counted for as much as the work.

Ben Nicholson

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“Colour also played a significant role in one of the other ‘In Focus’ events – that of the work of Deborah S. Phillips. In a less conventional screening, Phillips presented her own work including her red-hued blend of collage, animation and text Capsicum (2008), and her overlaid, superimposed examination of green Im Grünen Bereich (2017). Phillips has spent a decade utilising found objects, natural materials and text to create colour studies. In the screening she revealed that she still hasn’t quite worked out how she feels about blue, and so the session opened up into a freeform discussion about the associations of the colour and how different languages approach it – all while two slide projectors clacked through cerulean compositions that slowly seemed to conform to the emotive qualities being described and discussed by the audience.”

…

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ PROCESS FILM FESTIVAL RIGA | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

PROCESS FILM FESTIVAL 2019 | RIGA | MARCH 20-24, 2019 | (click link for more…)

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

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view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de