upcoming film screening | @ EM ARTS INDEPENDENT FILM SHOW 22 EDITION | NAPOLI | films by Thomas Bartels | Music & Sound Design: Wolfgang in der Wiesche

© top3 images courtesy | Laboratorium, Thomas Bartels | stills from: Fragile Esquif | Michanevomai | Ikiliikkuja || © image4 screenshot, 2011 by ww | sound design in progress || © image5 | self portrait as a composer, 2007

(click any image to open gallery view)

I’m pleased to announce that after a period of time three films by Thomas Bartels (link to vimeo) will be screened at the

INDEPENDENT FILM SHOW 22 EDITION at EM ARTS (Euro Mediterranean Arts) NAPOLI, Italy (link)

THOMAS BARTELS Selected 35mm film works presented by Telemach Wiesinger (screened digitally) – giovedì 16 giugno 2022

Euro Mediterranean Arts

Via Petrarca, 50
80122 Napoli
tel. +39 081 5641655
fax. +39 081 5641494

info@em-arts.org

raffaella@em-arts.org

FRAGILE ESQUIF, D 2011, 35mm, 1:1.85, color, sound, 17 min. – In endlos weißer Leere schwebt das Gerippe eines Bootes. Ein Mann sitzt darin. Er paddelt durch dies lichte Meer. Er hält Ausschau. Er zeichnet. Er dreht sich im Kreis. Er angelt im Nichts. Eine Flaschenpost taucht auf.

Dressed completely in white a man gets lost in a luminous void of space. His thoughts spin in spirals. All activity in this vast nothingness shows no result. When he finally settles in a boat for fishing a message pop up in a bottle…

Director, actor, rostrum camera, editing: Thomas Bartels
Photography: Yvonne Salzmann, Sonja Wegener
Music and sound-design: Wolfgang in der Wiesche
Shakuhatchi: Uwe Walter
Funding: nordmedia Fonds GmbH

IKILIIKKUJA – PERPETUUM MOBILE, D 2005, 35mm, 1:1.66, b/w, sound, 5 min. – Zwei Männer, eine Flasche, Schwarz und Weiß, Yin und Yang. Was für den einen leer, ist für den anderen voll. Von Markku Peltola, dem Hauptdarsteller aus Aki Kaurismäkis Film DER MANN OHNE VERGANGENHEIT, stammt die ebenfalls sehr reduzierte Musik

Two men, one bottle. Black and white. Yin and yang. What is empty for one is full for the other. Peltola who is the main character in Aki Kaurismäki’s film The Man Without A Past adds a place- and timeless folk music. With very few notes, it says all there is to say.

concept, photography, optical works: Thomas Bartels
music: Markku Peltola
production company: KAROFILM

MICHANEVOMAI – ICH ERSINNE EINE LIST, D 2004, 35mm, 1:1.37, color, sound, 9 min. 30sec. – Kinetische Skulpturen träumen Menschenbilder. Männer und Frauen umkreisen einander als blaue Schatten in endlosen Schleifen. Doch wenn sie schließlich im Kuss verschmelzen, ist das ein Traum: Ein Happy End, kitschig wie Kino.

2004, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW

A poetic journey through a mechanical universe. Electric shadows of men and women circle around each other in endless loops. They finally meet in THE KISS. But it’s just a dream.

cinematographic twaddle: the happy end
concept, photography, animation, editing: Thomas Bartels
music & sounds: Wolfgang in der Wiesche
production company: KAROFILM
supported with a grant by BKM

Auszeichnungen/acknowledgements für Filme von | Thomas Bartels | Wolfgang in der Wiesche | Auswahl

2009
Haut der Dinge
Prädikat ‚besonders wertvoll’, Kurzfilm des Monats (März),
Filmbewertungsstelle FBW Wiesbaden

2004
Michanevomai
Prädikat ‚wertvoll’, Filmbewertungsstelle FBW

2000
The Day Slows Down As It Progresses
Auszeichnung Förderpreis der Jury, Filmkunstfest Schwerin
The Day Slows Down As It Progresses
2000, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW
2002, Auszeichnung Förderpreis der Jury, Filmkunstfest Schwerin
2008, DVD Compilation ‘Ständig in Bewegung’, Tendenzen experimenteller Film- und Videoarbeiten in Deutschland 1994-2004, Goethe-Institut

THOMAS BARTELS @ LIGHTCONE PARIS (link)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner FoundationNew York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

video screening @ ARTISTERIUM | Tbilisi | RADICAL HOPE program | War in Spring / Smells of Earth / After Rain | film by Aleksandra Janik | music by Wolfgang in der Wiesche

© courtesy Aleksandra Janik/Artisterium 2022 | War in Spring / Smells of Earth / After Rain | by ALEKSANDRA JANIK, Poland, 2022, video, 22’15”, music by Wolfgang in der Wiesche

(open in new window to view full size)

© courtesy Artisterium 2022 |

(click any image to open gallery view)

normally I announce events before they happen, in this case I do not want to let this one unmentioned | I’m delighted I was involved in this exhibition by contributing film music to the film/video work War in Spring / Smells of Earth / After Rain | by ALEKSANDRA JANIK, Poland, 2022, video, 22’15” | many thanks to Aleksandra Janik for her wonderful work and statement | the video was screened from June, 2 to 12, in the RADICAL HOPE / Linked Objects II, single screen video art program | @

Artisterium | Tbilisi International Contemporary Art Exhibition | Tiflis, Georgia

Dimitri Shevardnadze National Gallery

My work is presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner FoundationNew York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

music for films | full album on deezer | Wolfgang in der Wiesche

https://deezer.page.link/s6kxRYdt7AXLw1VZ6

click LINK above for listening on deezer to

music for films

Feb., 7, 2021 released with support by MusicHub/Zebralution, Berlin

AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | Instagram / more will follow…

I recommend listening to the full album, enjoy…
music composed for
experimental short films
xtended line (1997)

private release
edition 300 pcs.

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021 | music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify / Instagram | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

final day | I Wish My Beautiful Dream Will Never End | video screening @ Total Art/Music Meeting | LOCH Wuppertal | final day | music/ sound design by Wolfgang in der Wiesche

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

a friendly final reminder:

I Wish My Beautiful Dream Will Never End will be screened as part of the exhibition

9 TO 5 TOTAL ART/MUSIC MEETING | LOCHWUPPERTAL | Sonntag/Sunday 31.10.2021, 15h…

30.10. – 13.11.2021 | (re)presented by Maria Lentzen

LOCHation | LOCH | Plateniusstr. 35 | 42105 Wuppertal
Kontakt | info@loch-wuppertal.de | www.loch-wuppertal.de

Zur Ausstellung:

“9 to 5”, gilt als Inbegriff konventioneller, durch den Arbeitsrhythmus bestimmter, Lebensentwürfe. In Abgrenzung hierzu wurden im Bereich der Kunst Konzepte, wie das kollaborative Arbeiten jenseits etablierter Strukturen, entwickelt. Ein paradigmatisches Feld dafür ist der Free Jazz: Wie auch bei den “freien Künsten” wird hier ein Freiheitsanspruch postuliert, der sich auf Gestaltungsprinzipien, aber auch auf gesellschaftliche Aspekte bezieht.
Die Ausstellung “9 to 5 total music/art meeting” versteht sich als Plattform der Auseinandersetzung mit den für den Free Jazz zentralen Prinzipien – Improvisation und Kommunikation, ob nun im Umgang mit den bildnerischen bzw. musikalischen Materialien oder bezogen auf verschiedene Produktionsformen. Zum Begleitprogramm der Ausstellung gehört ein Abend von “9 to 5”, an dem Performances, Happenings und Konzerte das Verhältnis von bildender Kunst und Musik weiter ausloten und für eine freie, aber nicht verantwortungslose, Gestaltung von Kunst und Leben plädieren sollen.

Das Video ” I wish my beautiful dream will never end” von Yingmei Duan und mir wird gezeigt. Komposition: Wolfgang in der Wiesche

About the exhibition:

“9 to 5” is considered the epitome of conventional lifestyles determined by the rhythm of work. In contrast to this, concepts such as collaborative work beyond established structures have been developed in the field of art. A paradigmatic field for this is Free Jazz: as with the “liberal arts”, a claim to freedom is postulated here that relates to creative principles, but also to social aspects.
The exhibition “9 to 5 total music/art meeting” sees itself as a platform for dealing with the principles central to Free Jazz – improvisation and communication, whether in dealing with the visual or musical materials or in relation to various forms of production. The programme accompanying the exhibition includes an evening of “9 to 5”, in which performances, happenings and concerts will further explore the relationship between visual art and music and plead for a free, but not irresponsible, shaping of art and life.

The video “I wish my beautiful dream will never end” by Yingmei Duan and Maria Lentzen will be shown. Composition: Wolfgang in der Wiesche

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

Happy to share | MOSAïC & 71 online @ arsenal 3 in Nov. | films by Deborah Phillips | music & sound design for MOSAïC by Wolfgang in der Wiesche feat. Saadet Türköz

M O S A ï C , still images courtesy © deborah phillips, 2001

(click any image to open gallery view)

fantastic NEWS | for the whole of November 2021 two films by Deborah Phillips can be viewed online in a programme featured by arsenal 3 (Berlin) | M O S A ï C, music & sound design by myself featuring Saadet Türköz, vocals, and 71

LINK TO THE arsenal 3 PROGRAMME (please click)

mehr Info bei Deborah Phillips | http://deborahsp.wordpress.com
M O S A ï C | war im jahr 2001 offizieller deutscher Beitrag für das Jahr des Dialogs der Kulturen der UN | was chosen as the official German contribution to the Year of Dialogue of the Cultures, UN, 2001

experimental film, 16/35mm, c, 45min., dolby sr, 2001, Deborah Phillips
music: Wolfgang in der Wiesche: sampler, programming, flute, frame drum, viola, el. guitar, ukulele / featuring Saadet Türköz: vocals / Jacob Wizman & David Suissa: vocals

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

INVITATION | EINLADUNG | I Wish My Beautiful Dream Will Never End | video screening @ Total Art/Music Meeting | LOCH Wuppertal | Okt., 30 onwards | music/ sound design by Wolfgang in der Wiesche

© duan/lentzen/ww 2019 | I Wish My Beautiful Dream Will Never End, video stills | 1-channel video, 07:00 min | by Yingmei Duan, Maria Lentzen, Wolfgang in der Wiesche | 2019

(click any image to open gallery view)

I’m excited to announce:

I Wish My Beautiful Dream Will Never End will be screened as part of the exhibition

9 TO 5 TOTAL ART/MUSIC MEETING | LOCH WUPPERTAL | Sonntag/Sunday 31.10.2021, 15h…

30.10. – 13.11.2021 | (re)presented by Maria Lentzen

LOCHation | LOCH | Plateniusstr. 35 | 42105 Wuppertal
Kontakt | info@loch-wuppertal.de | www.loch-wuppertal.de

Zur Ausstellung:

“9 to 5”, gilt als Inbegriff konventioneller, durch den Arbeitsrhythmus bestimmter, Lebensentwürfe. In Abgrenzung hierzu wurden im Bereich der Kunst Konzepte, wie das kollaborative Arbeiten jenseits etablierter Strukturen, entwickelt. Ein paradigmatisches Feld dafür ist der Free Jazz: Wie auch bei den “freien Künsten” wird hier ein Freiheitsanspruch postuliert, der sich auf Gestaltungsprinzipien, aber auch auf gesellschaftliche Aspekte bezieht.
Die Ausstellung “9 to 5 total music/art meeting” versteht sich als Plattform der Auseinandersetzung mit den für den Free Jazz zentralen Prinzipien – Improvisation und Kommunikation, ob nun im Umgang mit den bildnerischen bzw. musikalischen Materialien oder bezogen auf verschiedene Produktionsformen. Zum Begleitprogramm der Ausstellung gehört ein Abend von “9 to 5”, an dem Performances, Happenings und Konzerte das Verhältnis von bildender Kunst und Musik weiter ausloten und für eine freie, aber nicht verantwortungslose, Gestaltung von Kunst und Leben plädieren sollen.

Das Video ” I wish my beautiful dream will never end” von Yingmei Duan und mir wird gezeigt. Komposition: Wolfgang in der Wiesche

About the exhibition:

“9 to 5” is considered the epitome of conventional lifestyles determined by the rhythm of work. In contrast to this, concepts such as collaborative work beyond established structures have been developed in the field of art. A paradigmatic field for this is Free Jazz: as with the “liberal arts”, a claim to freedom is postulated here that relates to creative principles, but also to social aspects.
The exhibition “9 to 5 total music/art meeting” sees itself as a platform for dealing with the principles central to Free Jazz – improvisation and communication, whether in dealing with the visual or musical materials or in relation to various forms of production. The programme accompanying the exhibition includes an evening of “9 to 5”, in which performances, happenings and concerts will further explore the relationship between visual art and music and plead for a free, but not irresponsible, shaping of art and life.

The video “I wish my beautiful dream will never end” by Yingmei Duan and Maria Lentzen will be shown. Composition: Wolfgang in der Wiesche

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

MOSTRA DE CINEMA PERIFÉRICO | A CORUÑA SPAIN | EDICIÓN DUAL EDITION | 28/5-6/6 2021 | films by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | stills from: SANTOOR | M O S A ï C | UNTITLED COLOURMATION | PURIM | CAPRICUM | IM GRUENEN BEREICH | YONG BU FANG CHI

(click any image to open gallery view)

image courtesy © MOSTRA DE CINEMA PERIFÉRICO 2021

(open in new window to view full size)

I’m delighted to announce two days of screening of films by DEBORAH PHILLIPS at

MOSTRA DE CINEMA PERIFÉRICO | A CORUÑA SPAIN | EDICIÓN DUAL EDITION | 28/5-6/6 2021

click links to find out more |

PROGRAMA 1 Jueves 3 de junio | 19:00 h | Filmoteca de Galicia |

PROGRAMA 2 Domingo 6 de junio | 17:00 h | SALA (S8) PALEXCO

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || @ artdoxa || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

music for films | wolfgang in der wiesche | xtended line | cd re:release | now online available for download and stream

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021| music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

PREMIERE outside Berlin | YONG BU FANG CHI | NEVER GIVE UP | by Deborah Phillips | Cinema experimental | Goethe Institut PORTO | Oct., 30 | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | stills from: YONG BU FANG CHI | 16mm, c, 3:00min., 2019 | stills by ww

(click any image to open gallery view)

PREMIERE OUTSIDE BERLIN of the experimental short film (digital version) | YONG BU FANG CHI | by Deborah S. Phillips | music and sound design by Wolfgang in der Wiesche @ Experimental Film Projection #6 . programação da Hosek Contemporary na mala voadora | as part of an evening programme with experimental films | supported by GOETHE INSTITUT PORTUGAL

LaborBerlin

Yong Bu Fang Chi, 16mm, 3 min. 2020
with Samer Albunni
Klangkomposition: Wolfgang in der Wiesche

Yong Bu Fang Chi: May Wish to Eat, the title of the film, is a (misunderstood) transcription of the actually meant Yong Bu Fang Qi: Never Give Up

30. Oct. 2020 | 21:00h | Mala Voadora | Porto

FIND MORE DETAILED INFORMATION IN PORTUGESE and GERMAN by clicking the links above

find information on upcoming screenings of film works by Deborah S. Phillips (click here)

for a preview of the film | New link | https://vimeo.com/418381359

password: fangchi

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

feel free to visit my instagram account for more

NEW | membership at SINGULART, you’ll find my growing portfolio here: SINGULART

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

prints and original works available

view portfolio  |  @  saatchi art  ||  @ artworks.art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture ||  @ World-Street.Photography ||  @ instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

PURIM is now online too! | MOSAïC is now online! | films by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

I’M EXCITED AGAIN TO ANNOUNCE:

Purim by Deborah Phillips is now online too

PURIM

deb_s_phillips_purim

https://vimeo.com/427711839/91bdefd4c2

16mm, 5 min. 1996, with music by Wolfgang in der Wiesche

can now be viewed in its entirety online

thanks to the Medienwerkstatt @ Kunstquartier Bethanien

thanks to the Medienwerkstatt (Kulturwerk des bbk) my 45 min. long 35mm film, MOSAïC is now online. see:

https://vimeo.com/420686616/c4e61672b9

mehr Info bei Deborah Phillips | http://deborahsp.wordpress.com
M O S A ï C | war im jahr 2001 offizieller deutscher Beitrag für das Jahr des Dialogs der Kulturen der UN | was chosen as the official German contribution to the Year of Dialogue of the Cultures, UN, 2001

experimental film, 16/35mm, c, 45min., dolby sr, 2001, Deborah Phillips
music: Wolfgang in der Wiesche: sampler, programming, flute, frame drum, viola, el. guitar, ukulele / featuring Saadet Türköz: vocals / Jacob Wizman & David Suissa: vocals

image courtesy © ww | Wolfgang in der Wiesche | self | CD music for films | xtended line (1997)

NEW | membership at SINGULART, you’ll find my growing portfolio here: SINGULART

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

prints and original works available

view portfolio  |  @  saatchi art  ||  @ artworks.art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture ||  @ World-Street.Photography ||  @ instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de