films & performance | by Deborah Phillips | with Tobias Schmuecking live | music & sound design by Wolfgang in der Wiesche | @ ROBERT KOEPKE HAUS | Schieder-Schwalenberg | 27.07.2019

 

image courtesy © Deborah S. Phillips | still from: Santoor | experimental documentary, 13min., c, 16mm, 1998 || Capsium | animation, 11 min., c, 16mm, 2008 || IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

ROBERT KOEPKE HAUS | Schieder-Schwalenberg | presents

COLOURS & COLLABORATIONS by DEBORAH S. PHILLIPS, together with TOBIAS SCHMÜCKING in presence

COLOURS & COLLABORATIONS offers different layers and aspects to deal with cinematic and animated problems as well as pattern, textures and color developed in the dark room of the film strip itself in an active dialogue with music and sound. The program also includes the premiere of the 16mm, single 8 and slides performance VERDE VERMELHAR (Green turns Red, 2019).

I looked for films in which colors, textures, light and
time were more important than people and stories.
(Deborah S. Phillips)

DEBORAH S. PHILLIPS (de) is an artist who has been working on celluloid since the early nineties and various analogue media, including printmaking, tiny collages in slides frames as well as 35mm and 16mm film, drawing, handmade books, etc. She has been & still is active in several artists-run organisations. See: deborahsp.wordpress.com

TOBIAS SCHMÜCKING (de) is a filmmaker and musician. His analogue films explore the fields between experimental and narrative; in his musi,c he transforms fragments of melodies and chords into soundscapes. See: http://www.schmuecking.com

WOLFGANG IN DER WIESCHE (de) is an artist who works with a wide range of media (more than there’s space for here). See: https://xtendedline.wordpress.com

RK_HAUS

image courtesy © Robert Koepke Haus 2019

(open in new window to view full size)

PROGRAM

INTRODUCTION (english) | Deborah S. Phillips and Tobias Schmücking

SANTOOR | 1996 | 35 to 16mm | color | sound | 13’00 | Music: Nandkishor Muley & Wolfgang in der Wiesche
Nandkishor Muley moves between countries, musical styles and different fields. This is a commonality with Deborah: over a few years, he insisted that she make a film about him…

CAPSICUM | 2008 | 16mm | color | sound | 11’00 | Sound / Composition: Ruth Wiesenfeld | Music: Wolfgang in der Wiesche.
The associations vary widely when it comes to the colour red. This film marks the beginning of Deborah’s colour research

IM GRÜNEN BEREICH | 2017 | 16mm | color | sound | 13’50 | Sound: Wolfgang in der Wiesche & Ruth Wiesenfeld
If everything is alright in German, it’s in the green zone

TORNASOLADA SORORIDAD DADA | 2019 | 16mm | color | silent | 3’00 | by D. S. Phillips & Melina Pafundi
A collaborative exploration of the aesthetic of passing an object on and collaboratively manipulating developing chemicals…

VERDE VERMELHAR (Green turns Red) | 16mm & single 8 & slides | color | live & recorded sound | ca 20’00
At a meeting of analogue film artists, Bains argentiques in 2016, in Nantes, three colleagues Ж, Deborah & Tobias began to explore aspects of this complementary colour combination on a number of levels. The nature of language and misunderstanding through translation plays a crucial role.
Ж, who, among other things, came up with the title, can not be in Brussels because he lives & works in Brazil. He is, nonetheless, an essential part of this exploration of the dynamic of complementary contrasts.

Q&A
with Deborah S. Phillips, Tobias Schmücking

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

 

films & performance | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche | @ CINEMA PARENTHÈSE and DAGVORM_CINEMA | Brussels | Bruxelles | 07.05.2019

 

 

image courtesy © Deborah S. Phillips | still from: untitled colourmation | animation, 1 min., c, 16mm, 1991-92 | Santoor | experimental documentary, 13min., c, 16mm, 1998 | Capsium | animation, 11 min., c, 16mm, 2008 || IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

 

cinparbrux05.19

CINEMA PARENTHÈSE and DAGVORM_CINEMA present

COLOURS & COLLABORATIONS by DEBORAH S. PHILLIPS, together with TOBIAS SCHMÜCKING in presence

COLOURS & COLLABORATIONS offers different layers and aspects to deal with cinematic and animated problems as well as pattern, textures and color developed in the dark room of the film strip itself in an active dialogue with music and sound. The program also includes the premiere of the 16mm, single 8 and slides performance VERDE VERMELHAR (Green turns Red, 2019).

I looked for films in which colors, textures, light and
time were more important than people and stories.
(Deborah S. Phillips)

DEBORAH S. PHILLIPS (de) is an artist who has been working on celluloid since the early nineties and various analogue media, including printmaking, tiny collages in slides frames as well as 35mm and 16mm film, drawing, handmade books, etc. She has been & still is active in several artists-run organisations. See: deborahsp.wordpress.com

TOBIAS SCHMÜCKING (de) is a filmmaker and musician. His analogue films explore the fields between experimental and narrative; in his musi,c he transforms fragments of melodies and chords into soundscapes. See: http://www.schmuecking.com

WOLFGANG IN DER WIESCHE (de) is an artist who works with a wide range of media (more than there’s space for here). See: https://xtendedline.wordpress.com

DAGVORM_CINEMA
Rue Paul Devaux 3, 1000 Bruxelles
Program start: 19:00
Date: May 7, 2019
Entrance: 6/4€

PROGRAM

INTRODUCTION (english) | Deborah S. Phillips and Tobias Schmücking

UNTITLED COLOURMATION | 1991–92 | 16mm | color | sound | 0’45 | Music: Wolfgang in der Wiesche
What happens when a painter is encouraged to make a film

SANTOOR | 1996 | 35 to 16mm | color | sound | 13’00 | Music: Nandkishor Muley & Wolfgang in der Wiesche
Nandkishor Muley moves between countries, musical styles and different fields. This is a commonality with Deborah: over a few years, he insisted that she make a film about him…

CAPSICUM | 2008 | 16mm | color | sound | 11’00 | Sound / Composition: Ruth Wiesenfeld | Music: Wolfgang in der Wiesche.
The associations vary widely when it comes to the colour red. This film marks the beginning of Deborah’s colour research

IM GRÜNEN BEREICH | 2017 | 16mm | color | sound | 13’50 | Sound: Wolfgang in der Wiesche & Ruth Wiesenfeld
If everything is alright in German, it’s in the green zone

TORNASOLADA SORORIDAD DADA | 2019 | 16mm | color | silent | 3’00 | by D. S. Phillips & Melina Pafundi
A collaborative exploration of the aesthetic of passing an object on and collaboratively manipulating developing chemicals…

VERDE VERMELHAR (Green turns Red) | 16mm & single 8 & slides | color | live & recorded sound | ca 20’00
At a meeting of analogue film artists, Bains argentiques in 2016, in Nantes, three colleagues Ж, Deborah & Tobias began to explore aspects of this complementary colour combination on a number of levels. The nature of language and misunderstanding through translation plays a crucial role.
Ж, who, among other things, came up with the title, can not be in Brussels because he lives & works in Brazil. He is, nonetheless, an essential part of this exploration of the dynamic of complementary contrasts.

Q&A
with Deborah S. Phillips, Tobias Schmücking, and Wolfgang in der Wiesche

● ●

DAGVORM_CINEMA | dagvorm_cinema is a mini-cinema, made with little means but with bigger aspirations. Consisting of 22 comfortable chairs and a big screen, it’s temporally located on the 6th floor of the former headquarters of Actiris, a stonethrow away from the Bourse.

dagvorm_cinema is a place born out of a passion for cinema and an urge to share the films (food and music) we value with our close friends, lovers, aquaintances, future friends and people who are willing to discover. We’ll organise regular screenings ourselves, collaborate with other initiaves as much as possible.

Instagram: dagvorm_cinema_bxl
Webpage: www.dagvorm.be

● ●

CINEMA PARENTHÈSE
Cinema Parenthèse is a collective of writers, programmers and filmmakers that organizes experimental film screenings and dialogues in Brussels. Current members are Wendy Evan, Els van Riel, Nicky Hamlyn, Daniel A. Swarthnas and Arindam Sen.

Facebook: Cinema Parenthèse
Contact: cinema.parenthese@mail.com
Subscribe for mail news: http://eepurl.com/dysyED

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth WiesenfeldDeborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

re:view 1994 | Die Verwandlung der Elemente | The Transformation Of The Elements | by Laboratorium, music: WW | rediscovered by chance

WW_Presse_94.07.02

© Lutz Garmsen/oscilux 1994 | Laboratorium/ WW 1994/2018  | Die Verwandlung der Elemente | The Transformation Of The Elements
(open in new window to view full size)
bei einer Internet-Recherche fand ich kürzlich diesen Artikel @ Lutz Garmsen/oscilux web site |  while doing research on the Internet I rediscovered this article by chance @ Lutz Garmsen/oscilux web site
Ich freue mich, dass die Veranstaltung von 1994 darin als Höhepunkt der Braunschweiger Kulturnacht genannt wird! | I’m excited that the 1994 event is mentioned as a highlight of the Braunschweig Cultural Night!
Die Verwandlung der Elemente | The Transformation Of The Elements
Filmprojektionsperformance 02.07.1994, Livemusik by WW, 1994, Kulturnacht, Braunschweig
film projection performance, live music by WW, 1994, Cultural Night, Braunschweig
Ich arbeite an der Digitalisierung der Studio-Live-Aufnahme der Musik für die Performance.
I’m working on the digitalization of the studio live-recording of the performed music.
WW_Verwandlung_der_Elemente_1_1994
© Laboratorium 1994/ WW 1994/2018  | Die Verwandlung der Elemente I | The Transformation Of The Elements I | Filmprojektionsperformance 02.07., Livemusik by WW, 1994, Braunschweig | film projection performance, live music by WW, 1994, Braunschweig | Digitale Fotografien analoger Still-Fotografien WW10/2018 | digital photography of analogue still photos WW10/2018
(open in new window to view full size)
WW_Verwandlung_der_Elemente_2_1994
© Laboratorium 1994/ WW 1994/2018  | Die Verwandlung der Elemente II | The Transformation Of The Elements II | Filmprojektionsperformance 02.07., Livemusik WW, 1994, Braunschweig | film projection performance, live music by WW, 1994, Braunschweig | Digitale Fotografien analoger Still-Fotografien WW10/2018 | digital photography of analogue still photos WW10/2018
(open in new window to view full size)

PRINTS AVAILABLE – please contact me for original works, prints or order from saatchi art or artward

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

ZUMZEIG CINECOOPERATIVA BARCELONA | Dec, 14/15 | presents short films & performance by Deborah S. Phillips | feat. music by Wolfgang in der Wiesche

image courtesy © deborah phillips | stills from:  GEGENÜBER | HERMAN(N) | THREE | BREAD | NOOR | SANTOOR | MOSAïC | CD cover: music for films, WW/xtended line (1997)

 

ZUMZEIG CINECOOPERATIVA BARCELONA | presents | films & performance by Deborah S. Phillips | music by Wolfgang in der Wiesche | Dec, 14/15, 2017

Especies de espacios. Las películas de Deborah Phillips (1)

PROGRAMA 1 | DECEMBER, 14

CHIN-CHIN, 2013-14, 16mm, 3′, sonido performativo en directo
PFFFHP ȚT! 2012, 16mm, 5′, sonido óptico
WHERE IS GREENPOINT?, 2017, 3′, silente
GEGENÜBER, 1994, 16mm, 1’30”, sonido magnético
HERMAN(N), 2011, 16mm, 8′, silente
THREE, 1993, 16mm, 3′, sonido óptico
BREAD, 1994, 16mm, 3′, sonido óptico
NOOR, 2003, 16mm, 6′, silente
71, 2005, 16mm, 7′, sonido óptico
NACH OSTEN SCHAUEN, 2017, 2′, silente
GEOGRAPHIE, 2000, 35mm, 1′ sonido óptico

Especies de espacios. Las películas de Deborah Phillips (2)

PROGRAMA 2 | DECEMBER, 15

NOOR, 2003 16mm, 6′, silente
SANTOOR, 1997-1998, 35mm, 13′, sonido óptico
MOSAIC, 2001, 35mm, 45′, sonido óptico

+ PERFORMANCE…

music and sound design by Wolfgang in der Wiesche for GEGENÜBER, THREE, BREAD, SANTOOR, MOSAïC

ZUMZEIG CINECOOPERATIVA BARCELONA
Carrer de Béjar, 53 baixos
Barcelona
www.zumzeigcine.coop
phone +34 935 46 14 11

MOSAïC | was selected OFFICIAL GERMAN CONTRIBUTION to the United Nations Year of Dialogue Among Civilizations, 2001

SANTOOR | won a SPECIAL MENTION OF THE JURY, 2nd Boddinale International Movie Festival, Berlin, 2014

GEGENÜBER | PRICE in the competition of SHORT FILMS AGAINST RACISM, Braunschweig, 1994

LEO AWARD by filmFest Braunschweig for Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

Deborah Phillips @ wordpress

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  || @  LensCulture  ||  @ artward

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

film & live interview @ VOYAGE VOYAGE | KUNSTLABOR @ aha | 14.05.2016 | collaboration Kyongju Park & Wolfgang in der Wiesche

WW_KP_BF_still

image courtesy © Kyongju Park, 1998 | still from BEAUTIFUL FRUIT | 16mm, 1998

all images courtesy © Kyongju Park, 2015 | screenshots of the two Feb 2015 performances of  Yeosu, Beginning, Middel and the End (click for more) by Wolfgang in der Wiesche

(click any image to open gallery view)

VOYAGE VOYAGE | Live Interview & 2 Films | 14.05.2016, 17h

Das Kooperations-Projekt von Stichting White Cube und Atelierhaus Aachen e.V. lädt zu einer Veranstaltung ein ins KUNSTLABOR | Samstag I 14. Mai I 17 h | Atelierhaus Aachen

Süsterfeldstraße 99, Haus 1, 1. Etage

Nach einem einführenden Live-Gespräch über das Internet zwischen Wolfgang in der Wiesche (D) & Kyongju Park (KR) zeigen wir 2 Filmproduktionen

Yeosu, Beginning, Middel and the End, Ausschnitte
aus der Theater-Performance der Multicultural Artist
Group salad, 2015, Leitung: Kyongju Park

BEAUTIFUL FRUIT, Experimenteller Dokumentarfilm,
16mm, s/w, 36min, 1998, Kyongju Park

Wolfgang in der Wiesche hat für beide Produktionen als Komponist gearbeitet

Die Veranstaltung spannt einen Bogen von der ersten kooperativen Arbeit zwischen Kyongju Park und Wolfgang in der Wiesche 1998 bis zur aktuellen Theater-Produktion. Kyongju Park lebt und arbeitet als „social artist“ in Seoul, Südkorea u.a. als künstlerische Leiterin der Multicultural Artist Group ‘salad’ interdisziplinär und multimedial. (http://www.kyongjupark.com/)

Wolfgang in der Wiesche lebt seit 2011 in Aachen. Er arbeitet international freischaffend als Maler, Grafiker, Fotograf, Medienkünstler und als Komponist und Musiker für Experimentalfilm, Doku-mentarfilm, experimentelles Theater und Performance, Medienprojekte und freie Kompositionen.
(http://xtendedline.de/)

Beautiful Fruit
Der Film begleitet eine Gruppe koreanischer Künstlerinnen, die, ihren tradtionellen Rollen im konfuzianisch geprägten Südkorea entkommen, in Europa künstlerische Freiheit leben. Auf der Suche nach Frauenbildern bewegt sich Kyongju Park von Ort zu Ort (Seoul, Paris, Berlin). Die Reise führt sie in die Ateliers, das Berlin der 90er Jahre und über Paris bis zum Grab Vincent van Goghs. Auf dem Weg findet sie unerwartete Motive und schließlich ein Selbstporträt.

Yeosu, Beginning, Middle and the End (Zusammenschnitt)

Die aktuelle Theater-Performance der Gruppe ‘salad’ erzählt die Geschichte eines Brandes in einer Abschiebeunterkunft für „illegale“ GastarbeiterInnen in Seoul. Experimentell nähert sich die Performance der Wahrheit hinter den geschilderten Ereignissen an und stellt Fragen nach der Verantwortung, ohne zu einer eindeutigen Lösung oder Verurteilung zu gelangen.

Text: Wolfgang in der Wiesche (sorry no English this time)

image courtesy © ww/aha Atelierhaus Aachen e.V. | Flyer front/back | German/English

(click any image to view full size)

PRINTS AVAILABLE – please contact me for original, prints or order from saatchi art

view portfolio  |  @  saatchi art  ||  @ Pollock-Krasner Foundation  ||  @ artward
Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de


Wolfgang in der Wiesche

re:play | TNeF Artists Online Forum & Closing ceremony | 2nd TNeF | INTERNATIONAL TRANSCULTURAL NETWORK FESTIVAL 2015 | see you again 2016…

© TNeF 2015 | TNeF Artists Online Forum & Closing ceremony | 10/2015

participating artists | Lorna de mateo, Jaewon Jung, Urna Ulanchimeg, Wolfgang in der Wiesche, Mahima Singh, Anima Singh, Alice Park, Sungsuk Suk, Sarangerel Suhbaartar, Rayun Choi, Jaeun Jo

TNeF_artists

open in new window to read or see TNeF artists page for details click here (will open in new window)

selection of my contributions, created during the network performances…

all images © TNeF/ Wolfgang in der Wiesche, 2015

(click any image to open gallery view)

2nd TNeF INTERNATIONAL TRANSCULTURAL NETWORK FESTIVAL 2015

FOLLOW TNeF ONLINE/ON AIR @ | 2nd TNeF INTERNATIONAL TRANSCULTURAL NETWORK FESTIVAL 2015

also on | youtube | facebook | twitter | google+  (see website…)

go to TNeF REPLAY to view the NETWORK PERFORMANCES (or click titles below)

HAVE NO WORDS I | HAVE NO WORDS II | NEWS ART | WORK & ART | MIGRATION | SWITCHING

view WW portfolio  |  @  saatchi art  ||  @ Pollock-Krasner Foundation  ||  @ artward
Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de


Wolfgang in der Wiesche

ARCHIVE EXHIBITION | DUDL Art Space | SEOUL | 2nd TNeF | TRANSCULTURAL NETWORK FESTIVAL 2015 | OCT 08 – 15 |

TNeF_exhibition_poster

courtesy TNeF, Seoul, 2015 © | TNeF exhibition poster

2nd TNeF INTERNATIONAL TRANSCULTURAL NETWORK FESTIVAL 2015

Gruppenausstellung | group exhibition |

TNeF Archive Exhibition | Date: 08.- 15. Oct. 2015, 11AM -7PM
Place: Gallery Dudl | Opening Event: 08.Oct.2015, 6PM

2相공간 두들 | DUDL Art Space | 서울 영등포구 도림로 425(문래동2가 14-59번지)  | 2층 문래우체국 옆 | Tel. +82.10.4940.3035 facebook.com/GalleryDudl | www.dudl.kr

read more @ TNeF

overview | Wolfgang in der Wiesche | contributions to TNeF (selection – see previous posts for more…)

all images © TNeF/ Wolfgang in der Wiesche, 2015

(click any image to open gallery view)

2nd TNeF INTERNATIONAL TRANSCULTURAL NETWORK FESTIVAL 2015

FOLLOW TNeF ONLINE/ON AIR @ | 2nd TNeF INTERNATIONAL TRANSCULTURAL NETWORK FESTIVAL 2015

also on | youtube | facebook | twitter | google+  (see website…)

go to TNeF REPLAY to view the NETWORK PERFORMANCES (or click titles below)

HAVE NO WORDS I | HAVE NO WORDS II | NEWS ART | WORK & ART | MIGRATION | SWITCHING

view WW portfolio  |  @  saatchi art  ||  @ Pollock-Krasner Foundation  ||  @ artward
Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de


Wolfgang in der Wiesche