music for films | full album on deezer | Wolfgang in der Wiesche

https://deezer.page.link/s6kxRYdt7AXLw1VZ6

click LINK above for listening on deezer to music for films Feb., 7, 2021 released with support by MusicHub/Zebralution, Berlin AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | Instagram / more will follow… I recommend listening to the full album, enjoy…

music composed for experimental short films xtended line (1997) private release edition 300 pcs.

© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021 | music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify / Instagram | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ART, Basel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || @ Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

Happy to share | MOSAïC & 71 online @ arsenal 3 in Nov. | films by Deborah Phillips | music & sound design for MOSAïC by Wolfgang in der Wiesche feat. Saadet Türköz

M O S A ï C , still images courtesy © deborah phillips, 2001

(click any image to open gallery view)

fantastic NEWS | for the whole of November 2021 two films by Deborah Phillips can be viewed online in a programme featured by arsenal 3 (Berlin) | M O S A ï C, music & sound design by myself featuring Saadet Türköz, vocals, and 71

LINK TO THE arsenal 3 PROGRAMME (please click)

mehr Info bei Deborah Phillips | http://deborahsp.wordpress.com
M O S A ï C | war im jahr 2001 offizieller deutscher Beitrag für das Jahr des Dialogs der Kulturen der UN | was chosen as the official German contribution to the Year of Dialogue of the Cultures, UN, 2001

experimental film, 16/35mm, c, 45min., dolby sr, 2001, Deborah Phillips
music: Wolfgang in der Wiesche: sampler, programming, flute, frame drum, viola, el. guitar, ukulele / featuring Saadet Türköz: vocals / Jacob Wizman & David Suissa: vocals

presently (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ART, Basel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || @ Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

music for films | wolfgang in der wiesche | xtended line | cd re:release | now online available for download and stream

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© ww 1997 | music for films | CD | private release || © ww-2007 | self portrait | digital photography

(click any image to open gallery view)

I published my first cd album | music for films | in 1997 as a self release/ a limited edition of 300pcs.

I’m happy to announce that from today, Feb. 7, 2021| music for films | is re:released with the help of MusicHub and will be step by step AVAILABLE @ amazon music / apple music/iTunes / Deezer / Napster / Spotify | more will follow…

just a few comments on the album:

Yes-I got your music and love it, very very quircky, unusual stuff you have there. Bob Ostertag (USA)
CD and catalog, all interesting…   Chris Cutler (UK)
Dear Wolfgang, finally found the chance to listen to your CD…which I enjoyed very much…. nice aesthetics.  best, Jon Rose (AUS)
… Your sounds are so great and I really enjoyed it !, …   Kiichiro Hayashi (JAP)
 … In fact, the cutter sounds like a pair of old rusty scissors, a typical old fashion China made home scissors. My first response when first listen to it is: It’s speaking. Not only this one, I like some other tracks too. It is short but so well structured. It doesn’t sound like improvised to me. I wonder if you are able to play this music live because I would always like to play live on what the music is like …   Chan Wai Fat (HONG KONG)
  … die cd ist natürlich spitze. die musik, die mir sofort entsprach-… schön, … Saadet Türköz (SWITZERLAND)

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ART, Basel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

prints and original works available

view portfolio | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture || @ World-Street.Photography || @ Instagram

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ ALCHEMY FILM FILM and MOVING IMAGE FESTIVAL 2019 SCOTLAND | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

 

 

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

Alchemy FILM and MOVING IMAGE FESTIVAL 2019 | MAY 02-06, 2019 | (click link for more…)

Alchemy Film & Arts | Room 305
Heart of Hawick | Kirkstile
Hawick TD9 0AE
Scotland, UK

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone
(added June, 2019) excerpt from: Wild wonder inside and out at Alchemy 2019

New creative director Michael Pattison encouraged audiences to “embrace the strange” at this invigorating festival where the experiences counted for as much as the work.

Ben Nicholson

…

“Colour also played a significant role in one of the other ‘In Focus’ events – that of the work of Deborah S. Phillips. In a less conventional screening, Phillips presented her own work including her red-hued blend of collage, animation and text Capsicum (2008), and her overlaid, superimposed examination of green Im Grünen Bereich (2017). Phillips has spent a decade utilising found objects, natural materials and text to create colour studies. In the screening she revealed that she still hasn’t quite worked out how she feels about blue, and so the session opened up into a freeform discussion about the associations of the colour and how different languages approach it – all while two slide projectors clacked through cerulean compositions that slowly seemed to conform to the emotive qualities being described and discussed by the audience.”

…

view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

IM GRÜNEN BEREICH @ PROCESS FILM FESTIVAL RIGA | by Deborah Phillips | music & sound design by Wolfgang in der Wiesche

image courtesy © Deborah S. Phillips | still from: IM GRÜNEN BEREICH – all is good, all’s green | animation, 16mm, c, 13:30min., 2017 || © ww-2007 | self portrait | digital photography || © ww 1997 | music for films | CD | private release

(click any image to open gallery view)

IM GRÜNEN BEREICH – all is good, all’s green will be screened @

PROCESS FILM FESTIVAL 2019 | RIGA | MARCH 20-24, 2019 | (click link for more…)

find information on works by Deborah S. Phillips (click here)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah S. Phillips for Pfffhp tt!, 2012

DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

read more @ BLOGERIM, Jewish Museum Berlin

Deborah Phillips @ wordpress   |  films of Deborah Phillips @ lightcone

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view portfolio  |  @  saatchi art  ||  @  Pollock-Krasner Foundation  ||  @  artward  ||  @  LensCulture

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @  saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

SPECIAL MENTION of THE JURY | for SANTOOR by Deborah Phillips | 2nd Boddinale International Movie Festival Berlin | music by Wolfgang in der Wiesche & Nandkishor Muley

This slideshow requires JavaScript.

images © Wolfgang in der Wiesche & courtesy © Deborah S. Phillips | stills from SANTOOR

C O N G R A T U L A T I O N S   D E B O R A H   ! !

SPECIAL MENTION OF THE JURY for SANTOOR | by Deborah S. Phillips | 13´ 1998 16mm |

music by Wolfgang in der Wiesche & Nandkishor Muley

@ 2ND BODDINALE INTERNATIONAL MOVIE FESTIVAL BERLIN 2014

view more @ BODDINALE PROGRAMME  ||  DEBORAH S. PHILLIPS’ BLOG

BODDINALE | Loophole | Boddinstraße 60 | Berlin

SANTOOR | 16/35mm | c | 13min | Dolby SR | 1997 | Deborah Phillips |
Music, Sound Design, Sampler, Programming, Viola | Wolfgang in der Wiesche | Sampled Santoor | Nandkishor Muley + excerpts from a live concert (with Mynta)

Film Director Nicolas Humbert (Step Across the Border…) on Santoor:

… nachdem wir mit großem Vergnügen deinen Santoor- Film angeschaut hatten. Mochte sehr das Spielerische und die Sinnlichkeit und die Sound-Seite. Eine ganz eigene Arbeit. Seinem eigenen Blick und seiner eigenen Lust zu folgen, ist sicher eines der wichtigsten Dinge.

… after very much enjoying your Santoor movie I especially liked the playfulness, the sensuousness and the sound side. A very distinct work. Following your own view and notion is surely one of the most important things. (10.4.99)

Hans- Dieter Delkus, Zeitschrift | magazine | NACHtBLENDE on Santoor :

Santoor von Deborah Phillips ist ein vor Lebenskraft und Filmfreude geradezu sprühendes Portrait des indischen Musikers Nandkishor Muley. Umrahmt von den verschiedensten Ornamenten, am Bildrand vorbeiziehenden Filmstreifen, Mustern, Verzierungen, begleitet die Kamera den Musiker, ebenso spielerisch wie experimentell. Vergleichbar der amerikanischen Experimentalfilmerin Marie Menken spielt Deborah Phillips mit der Kamera, mit dem Film, dem Kino und sprengt dabei die Grenzen ansonsten (mehr oder weniger) strikt voneinander unterschiedener Genres: ihr Film ist ebenso dokumentarisch wie experimentell, ist sowohl Musik-, als auch Animationsfilm.

This bubbly portrait of the Indian musician Nandkishor Muley is bursting with life and the joy of cinema. Framed by a variety of types of ornament, such as filmmaterial, patterns and decoration in motion, the camera accompanies the musician in a light-hearted yet experimental manner. Reminiscent of the American experimental filmmaker Marie Menken’s work, Deborah Phillips manipulates the camera, the film, cinema in general and thereby banishes strict categories of film genres: the film is equally documentary and experimental, both a music film and also animation. (1999)
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DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah Phillips for Pfffhp tt!, 2012

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view portfolio  |  @  saatchi art  ||  Wolfgang in der Wiesche | home

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13)

view portfolio | @ Pollock-Krasner Foundation  ||  @ artgrant I  ||  artgrant II

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SANTOOR | CAPSICUM | UNTITLED COLOURMATION and more… | DEBORAH PHILLIPS | FILM TOUR INDIA 2014 | music and sound design by Wolfgang in der Wiesche & Ruth Wiesenfeld

image courtesy © Deborah S. Phillips, 2013, still from Santoor (feat. Nandkishor Muley)

D E B O R A H   P H I L L I P S   T R A V E L L I N G   I N   I N D I A   |   F I L M   T O U R   2 0 1 4

TOUR DATES:

Three 16mm screenings are confirmed so far in January

Jan. 7 – 1, ShanthiRoad, Bangalore, 7pm
Jan. 11 – Faculty of Fine Arts, MS University, Baroda (this date will probably change. more soon)
Jan. 13 – Faculty of Performing Arts, MS University, Baroda

read also: TOUR DATES INDIA

image courtesy © Deborah S. Phillips | stills from:  CAPSICUM | SANTOOR | UNTITLED COLOURMATION

Untitled Colourmation | 1 min. 16mm 1991-92 | Santoor | 13min. 16mm 1998 | Capsium | 11 min. 16mm 2008 | HERMAN(N) | 8 min. 2011 16mm 2011 | iiiii | 2 min. 16mm 2012 |

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find MORE INFO and CAPSICUM FILM PREVIEW on the Internet @ lightcone (click here)

C A P S I C U M

Animation, 16mm, f, 11:00 min., 2008, Deborah S. Phillips
Music: Wolfgang in der Wiesche: Sampler, el. Guitar, Objects, div.
Text Collagen,  Sound Mix: Ruth Wiesenfeld

2009, arsenal experimental kompilations dvd, arsenal berlin

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DEBORAH S. PHILLIPS was awarded the L’Alternativa Hall Lomography Prize at the 20th edition of the Barcelona Independent Film Festival, l’Alternativa, made up of Sesi Bergeret, Pere Ginard, Céline Pimentel and Tess Renaudo on 22 November 2013 for her film PFFFHP TT! by Deborah S. Phillips (Germany)

LEO AWARD by filmFest Braunschweig for Ruth Wiesenfeld & Deborah Phillips for Pfffhp tt!, 2012

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r u n n i n g  |  l a u f e n d e   A u s s t e l l u n g  |  r e a g e n z  by Wolfgang in der Wiesche @

© ww-2013  | reagenz, Zeichnung/Mischtechnik auf Fabriano, 70x100cm, 04/2013

open! JAHRESAUSSTELLUNG 2013 | ANNUAL EXHIBITION 2013 | aha Atelierhaus Aachen

original and prints available, also: view more related to  |  reagenz  |  @ saatchi online gallery

read more @ reagenz by ww@ wordpress  |  aha Atelierhaus Aachen  |
Süsterfeldstraße 99 | 52072 Aachen | info@atelierhausaachen.de | +49 241 874527

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12. AniFest | Teplice Duchcov Krupka | 26.4.-1.5.2013 | presents | 6 Kurzfilme von | 6 short films by | Thomas Bartels | Music & Sound Design: Wolfgang in der Wiesche | xtendedline |

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© all images courtesy | Laboratorium | Thomas Bartels | stills from: Fragile Esquif | Haut der Dinge | Michanevomai | Atlicarinca | The Day Slows Down as it Progresses | Ikiliikkuja

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12. A N I F E S T  | TEPLICE DUCHCOV KRUPKA | 26.4.-1.5.2013 |

 Jurors’ Programme | Thomas Bartels | Květen | 29.4.2013 | 16h

read more @ AniFest

FILMS BY THOMAS BARTELS | MUSIC & SOUND DESIGN BY WOLFGANG IN DER WIESCHE

FILME VON THOMAS BARTELS | MUSIK & SOUND DESIGN VON WOLFGANG IN DER WIESCHE

Der Braunschweiger Künstler und Filmemacher Thomas Bartels führt uns mit seinem Programm auf eine seltsame Reise, erzählt in der Sprache der Träume. Die Reise beginnt in den Ateliers indischer Filmplakatmaler, führt über orientalische Märkte, durch ein mechanisches Universum, in dem Maschinen menschliche Schatten endlos wiederholen, und endet mit einer Bootsfahrt ins Licht des Filmprojektors. Einen maßgeblichen Anteil ihrer Qualität erhalten diese Kurzfilme nicht zuletzt durch den kongenialen Filmton des Musikers Wolfgang in der Wiesche.

THE DAY SLOWS DOWN AS IT PROGRESSES, D 2000, 14 min. – Ein Kaleidoskop malerischer Aufnahmen aus Indien, der vom Bildermachen handelt. Eine Frau sitzt auf der Schwelle ihres Hauses und läßt feines Pulver aus der Hand rinnen, allmählich entsteht ein farbiges Ornament. In einem Atelier in Bombay werden riesige Kino-Transparente gemalt. Vor dem Gerichtsgebäude in Baroda nimmt ein Fotograf Paßbilder auf und entwickelt sie direkt in der hölzernen Kamera.

2000, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW
2002, Auszeichnung Förderpreis der Jury, Filmkunstfest Schwerin
2008, DVD Compilation ‘Ständig in Bewegung’, Tendenzen experimenteller Film- und Videoarbeiten in Deutschland 1994-2004, Goethe-Institut

ATLIKARINCA, D 2003, 17 min. – Der Film ist ein Gedicht. Der Titel ist Türkisch, weil viele Bilder aus Istanbul stammen. Auf Deutsch heißt er “Karussell”. Die Bilder drehen sich. Es sind Filmschleifen und Fotopanoramen.

IKILIIKKUJA – PERPETUUM MOBILE, D 2005, 5 min. – Zwei Männer, eine Flasche, Schwarz und Weiß, Yin und Yang. Was für den einen leer, ist für den anderen voll. Von Markku Peltola, dem Hauptdarsteller aus Aki Kaurismäkis Film DER MANN OHNE VERGANGENHEIT, stammt die ebenfalls sehr reduzierte Musik.

MICHANEVOMAI – ICH ERSINNE EINE LIST, D 2004, 10 min. – Kinetische Skulpturen träumen Menschenbilder. Männer und Frauen umkreisen einander als blaue Schatten in endlosen Schleifen. Doch wenn sie schließlich im Kuss verschmelzen, ist das ein Traum: Ein Happy End, kitschig wie Kino.

2004, Prädikat ‚wertvoll’, Filmbewertungsstelle FBW

HAUT DER DINGE, D 2009, 6 min. – Unterschiedliche Eindrücke werden durch raffinierte Kombinationen und geschickte Wiederholungen mit Stummfilmelementen und moderner Tricktechnik zu einer Art filmischem Tagebuch zusammengesetzt.

2009, Prädikat ‚besonders wertvoll’, Kurzfilm des Monats, Filmbewertungsstelle FBW

FRAGILE ESQUIF, D 2011, 15 min. – In endlos weißer Leere schwebt das Gerippe eines Bootes. Ein Mann sitzt darin. Er paddelt durch dies lichte Meer. Er hält Ausschau. Er zeichnet. Er dreht sich im Kreis. Er angelt im Nichts. Eine Flaschenpost taucht auf.
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PROGRAMM

read more @ AniFest

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V O R S C H A U   |   P R E V I E W :

Wolfgang in der Wiesche in Kooperation mit Nikolaus Gojowczyk-Groon
s c h w a r m  i n t e l l i g e n z | und | b o t e n s t o f f e
Acrylmalerei, Mischtechniken
Mehrkanal Video-Projektion, Ton
09.05.2013 – 16.06.2013
Allgemeiner Konsumverein e.V.
Hinter Liebfrauen 2
38100 Braunschweig

gefördert durch:
Stiftung Braunschweigischer Kulturbesitz, Sttadt Braunschweig, Land Niedersachsen

Wolfgang in der Wiesche in cooperation with Nikolaus Gojowczyk-Groon
s w a r m  i n t e l l i g e n c e | and | m e s s e n g e r  s u b s t a n c e s
acrylic paintings, mixed media
multi channel video projection, sound
09.05.2013 – 16.06.2013

supported by:
Stiftung Braunschweigischer Kulturbesitz, Stadt Braunschweig, Land Niedersachsen

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Wolfgang in der Wiesche will also participate in
art on stage | Gruppenausstellung | group exhibition | Aha Atelierhaus Aachen
KUNSTTOUR MAASTRICHT | art tour Maastricht |
Theater am Vrijthof | Theatre @ Vrijthof | Maastricht | 06.-23.05.2013

GRENZGÄNGER | Gruppenausstellung | group exhibition | cooperation of VBK Berlin & Aha Aachen | June 2013

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ORTE & FARBEN | films by Deborah Phillips screened FEB 13 | @ FILM KOOP VIENNA | WIEN | UNTITLED COLOURMATION | PURIM | SANTOOR | CAPSICUM | music & sound design by Wolfgang in der Wiesche | xtendedline

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image courtesy © Deborah S. Phillips | stills from:  UNTITLED COLOURMATION | SANTOOR | CAPSICUM | HERMAN(N)

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ORTE & FARBEN | Kurzfilmprogramm mit Filmen von Deborah S. Phillips | Film Koop Wien | 13.02.2013

ORTE & FARBEN | short film programme | films by Deborah S. Phillips | Film Koop Vienna | Feb 13

UNTITLED COLOURMATION | PURIM | SANTOOR | CAPSICUM | music & sound design by Wolfgang in der Wiesche | xtendedline

films screened @ Film Koop:

Untitled Colourmation | 1 min. 16mm 1991-92 | Purim | 5 min. 16mm 1996 | Noor | 6 min  16mm 2003 | Santoor | 13min. (Reduktionskopie auf 16mm gedreht auf 35mm) 1998 | Capsium | 11 min. 16mm 2008 | 71 | 7 1/2 min. Ende 2005 16mm | Fontanestr. | 3 min.  2006 Super 8 | HERMAN(N) | 8 min. 2011 16mm | Feld | ca. 2 min. 2010-2012  | uraufführung super 8 | iiiii | 2 min. 16mm 2012 16mm |

image courtesy © Deborah S. Phillips, 2013

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read more @ Deborah S. Phillips @ wordpress | Film Koop Wien

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MOSAïC | PFFFHP TT! | iiiii | films by Deborah Phillips | 3.02.2013 | 19h | Regenbogenkino Berlin-Kreuzberg | MOSAïC | music & sound design by Wolfgang in der Wiesche | xtendedline

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image courtesy © deborah phillips | stills from:  M O S A ï C | 2001

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MOSAïC | PFFFHP TT! | iiiii

3. 02.2013 | 19h |

REGENBOGENKINO
Lausitzer Str. 22
Berlin-Kreuzberg

Programm | programme | KNOK ZUT – XPRM

MOSAïC, PFFFHP TT! & iiiii will be screened on 3 February in Berlin-Kreuzberg at 7 pm

read and view more @ DEBORAH PHILLIPS @ wordpress

M O S A ï C  |  war im jahr 2001 offizieller deutscher Beitrag für das Jahr des Dialogs der Kulturen der UN  |  official german contribution to the year of dialogue of the cultures, UN, 2001

experimental film, 16/35mm, c, 45min., dolby sr, 2001, Deborah Phillips
music: Wolfgang in der Wiesche: sampler, programming, flute, frame drum, viola, el. guitar, ukulele /
featuring Saadet Türköz: vocals / Jacob Wizman & David Suissa: vocals

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M O S A ï C – ein Beitrag aus 1001 Nacht | the book | read more @ Lichtig Verlag

AVIVA-BERLIN.de im Januar 2013 | Interview mit/with Deborah Phillips (german)

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