re:view for a reason | insomnios | album release | upcoming | music by wolfgang in der wiesche

LOT_WW_insomnios_1

© courtesy LOT/ww 2001 | insomnios, dance performance | photographs by LOT Theater, Braunschweig, digital repro Wolfgang in der Wiesche | 03/2021

(open in new window to view full size)

LOT_WW_insomnios_2

© courtesy LOT/ww 2001 | insomnios, dance performance | photographs by LOT Theater, Braunschweig, digital repro Wolfgang in der Wiesche | 03/2021

LOT_WW_insomnios_3

© courtesy LOT/ww 2001 | insomnios, dance performance | photographs by LOT Theater, Braunschweig, digital repro Wolfgang in der Wiesche | 03/2021

LOT_WW_insomnios_4

© courtesy LOT/ww 2001 | insomnios, dance performance | photographs by LOT Theater, Braunschweig, digital repro Wolfgang in der Wiesche | 03/2021

UPCOMING | ALBUM RELEASE | insomnios | wolfgang in der wiesche | see next upcoming post

This post is here for two reasons, one to come up in the following posts, another to commemorate a friend, artist and Butoh dancer Anzu Furukawa. 20 years back, in 2001, the theatre dance performance | insomnios | was staged in January at the LOT Theater, Braunschweig, Germany. The perfomance was created by an international collaboration group of artists (Germany, Japan, Mexico, China) in the beginning also with Anzu Furukawa, who later on had to leave the scene, went to hospital and soon later passed away. These photographs were taken during the performances in 2001.

from the original invitation, 2001:

INSOMNIOS | Dance – Painting – Music

The literary point of departure for INSOMNIOS is the novel “The Sleeping Beauties” by the Japanese Nobel Prize winner for literature, Yasunari Kawabata. Kawabata’s novel is a meditation:
….about love, Eros and death ….about youth and old age ….about vitality and weariness of life ….about demarcation and fusion ….about the fleeting nature of human existence.

INSOMNIOS is not a narrative translation of the novel onto the stage, but a personal approach of the artists to these central themes.

Dance: Graciela Gonzalez de la Fuente, Anton Reza
Painting: Chen Yun Wang
Music and composition: Wolfgang in der Wiesche
Idea: Graciela G. de la Fuente and Chen Yun Wang
A production in cooperation with Dieter Krockauer and the LOT-Theatre Braunschweig.

Premiere: 17 January 2001, 8 pm.
Further performances: 18, 19, 26, 27, 28 January and 1, 2, 3, 4 February, each at 8 pm.


At the same time, we would like to point out in advance that the Japanese dancer Anzu Furukawa had to cancel her participation at short notice for health reasons, which she herself and we (the production team) very much regret. We were therefore forced to change our plans quickly and are pleased to have found a replacement in the Mexican dancer Anton Reza, who is certainly just as artistically stimulating.

more to come…

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

re:view for two reasons | in memoriam anzu furukawa | insomnios | music by wolfgang in der wiesche

© courtesy LOT/ww 2001 | insomnios, rehearsal | photographs by LOT Theater, Braunschweig, digital repro Wolfgang in der Wiesche | 03/2021

(click any image to open gallery view)

This post is here for two reasons, one to come up in the following posts, another to commemorate a friend, artist and Butoh dancer Anzu Furukawa. 20 years back, in 2001, the theatre dance performance | insomnios | was staged in January at the LOT Theater, Braunschweig, Germany. The perfomance was created by an international collaboration group of artists (Germany, Japan, Mexico, China) in the beginning also with Anzu Furukawa, who later on had to leave the scene, went to hospital and soon later passed away. These photographs were taken during the first rehearsals in winter 2000/2001.

from the original invitation, 2001:

INSOMNIOS | Dance – Painting – Music

The literary point of departure for INSOMNIOS is the novel “The Sleeping Beauties” by the Japanese Nobel Prize winner for literature, Yasunari Kawabata. Kawabata’s novel is a meditation:
….about love, Eros and death ….about youth and old age ….about vitality and weariness of life ….about demarcation and fusion ….about the fleeting nature of human existence.

INSOMNIOS is not a narrative translation of the novel onto the stage, but a personal approach of the artists to these central themes.

Dance: Graciela Gonzalez de la Fuente, Anton Reza
Painting: Chen Yun Wang
Music and composition: Wolfgang in der Wiesche
Idea: Graciela G. de la Fuente and Chen Yun Wang
A production in cooperation with Dieter Krockauer and the LOT-Theatre Braunschweig.

Premiere: 17 January 2001, 8 pm.
Further performances: 18, 19, 26, 27, 28 January and 1, 2, 3, 4 February, each at 8 pm.


At the same time, we would like to point out in advance that the Japanese dancer Anzu Furukawa had to cancel her participation at short notice for health reasons, which she herself and we (the production team) very much regret. We were therefore forced to change our plans quickly and are pleased to have found a replacement in the Mexican dancer Anton Reza, who is certainly just as artistically stimulating.

more to come…

NEW | membership at ARTWORKS.ART, you’ll find my growing portfolio here: artworks.art

NOW (2021-2023) SUPPORTED BY FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ARTBasel, Switzerland

also: new membership at SINGULART, you’ll find my growing portfolio here: SINGULART

Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) and Wilke Atelier, Verein zur Kunstförderung e.V., Bremerhaven | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up) | ausgewählt als/selected “Artist of the Week/Day” by curator Aurora Garrison @ saatchi art (11/2018)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de

film & live interview @ VOYAGE VOYAGE | KUNSTLABOR @ aha | 14.05.2016 | collaboration Kyongju Park & Wolfgang in der Wiesche

WW_KP_BF_still

image courtesy © Kyongju Park, 1998 | still from BEAUTIFUL FRUIT | 16mm, 1998

all images courtesy © Kyongju Park, 2015 | screenshots of the two Feb 2015 performances of  Yeosu, Beginning, Middel and the End (click for more) by Wolfgang in der Wiesche

(click any image to open gallery view)

VOYAGE VOYAGE | Live Interview & 2 Films | 14.05.2016, 17h

Das Kooperations-Projekt von Stichting White Cube und Atelierhaus Aachen e.V. lädt zu einer Veranstaltung ein ins KUNSTLABOR | Samstag I 14. Mai I 17 h | Atelierhaus Aachen

Süsterfeldstraße 99, Haus 1, 1. Etage

Nach einem einführenden Live-Gespräch über das Internet zwischen Wolfgang in der Wiesche (D) & Kyongju Park (KR) zeigen wir 2 Filmproduktionen

Yeosu, Beginning, Middel and the End, Ausschnitte
aus der Theater-Performance der Multicultural Artist
Group salad, 2015, Leitung: Kyongju Park

BEAUTIFUL FRUIT, Experimenteller Dokumentarfilm,
16mm, s/w, 36min, 1998, Kyongju Park

Wolfgang in der Wiesche hat für beide Produktionen als Komponist gearbeitet

Die Veranstaltung spannt einen Bogen von der ersten kooperativen Arbeit zwischen Kyongju Park und Wolfgang in der Wiesche 1998 bis zur aktuellen Theater-Produktion. Kyongju Park lebt und arbeitet als „social artist“ in Seoul, Südkorea u.a. als künstlerische Leiterin der Multicultural Artist Group ‘salad’ interdisziplinär und multimedial. (http://www.kyongjupark.com/)

Wolfgang in der Wiesche lebt seit 2011 in Aachen. Er arbeitet international freischaffend als Maler, Grafiker, Fotograf, Medienkünstler und als Komponist und Musiker für Experimentalfilm, Doku-mentarfilm, experimentelles Theater und Performance, Medienprojekte und freie Kompositionen.
(http://xtendedline.de/)

Beautiful Fruit
Der Film begleitet eine Gruppe koreanischer Künstlerinnen, die, ihren tradtionellen Rollen im konfuzianisch geprägten Südkorea entkommen, in Europa künstlerische Freiheit leben. Auf der Suche nach Frauenbildern bewegt sich Kyongju Park von Ort zu Ort (Seoul, Paris, Berlin). Die Reise führt sie in die Ateliers, das Berlin der 90er Jahre und über Paris bis zum Grab Vincent van Goghs. Auf dem Weg findet sie unerwartete Motive und schließlich ein Selbstporträt.

Yeosu, Beginning, Middle and the End (Zusammenschnitt)

Die aktuelle Theater-Performance der Gruppe ‘salad’ erzählt die Geschichte eines Brandes in einer Abschiebeunterkunft für „illegale“ GastarbeiterInnen in Seoul. Experimentell nähert sich die Performance der Wahrheit hinter den geschilderten Ereignissen an und stellt Fragen nach der Verantwortung, ohne zu einer eindeutigen Lösung oder Verurteilung zu gelangen.

Text: Wolfgang in der Wiesche (sorry no English this time)

image courtesy © ww/aha Atelierhaus Aachen e.V. | Flyer front/back | German/English

(click any image to view full size)

PRINTS AVAILABLE – please contact me for original, prints or order from saatchi art

view portfolio  |  @  saatchi art  ||  @ Pollock-Krasner Foundation  ||  @ artward
Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de


Wolfgang in der Wiesche

review : theater performance I | RAN’S DIARY – the SEXSTORY without love | performance 2011 | art director : KYONGJU PARK | music by Wolfgang in der Wiesche

© Kyongju Park, Seoul | RAN’S DIARY – the SEXSTORY without love | THE REVISED EDITION OF RAN’S DIARY – the SEXSTORY without love | theater performance | multicultural artist group salad | music composed by Wolfgang in der Wiesche | Seoul, South Korea, 2011

(read more information on vimeo or click links below…)

ran's diary ran's diary koreanran's diary I

courtesy © Kyongju Park | salad | 2011

read more @ RAN’S DIARY | THE SEXSTORY WITHOUT LOVE

and…       @ THE REVISED EDITION OF RAN’S DIARY | THE SEXSTORY WITHOUT LOVE

view portfolio  |  @  saatchi art  ||  @ Pollock-Krasner Foundation  ||  @ artward
Wolfgang in der Wiesche ist/is Stipendiat der/grantee of the Pollock-Krasner Foundation, New York (2012-13) | and was nominated for Mario Merz Prize 2014, Fondatione Merz, and nominated for a Fellowship of the Alfred Wegener Institute in cooperation with Hanse Institute for Advanced Study, Bremerhaven/Delmenhorst (runner-up)

oder nehmen Sie Kontakt mit mir auf | or contact me directly | xtend.ww [at] t-online.de


Wolfgang in der Wiesche

Sept. 06-08 | Theater without Actor | 2013 New Concept Performance Art Series of Hanguk Performing Arts Center | by KYONGJU PARK & SALAD | SEOUL || music by Wolfgang in der Wiesche & Sato Yukie

salad_theater

courtesy © Kyong-ju Park, SALAD, 2013

I am happy to announce | 2013 New Concept Performance Art Series of Hanguk Performing Arts Center

THEATER WITHOUT ACTOR | PERFORMANCE & LIVE WEB BROADCAST (see below…)

Live Experimental Theatre Made by Kyoung-ju Park, a New Conceptual Artist, with Multicultural People

‘Theater without Actor’ is an experimental theater selected by Hanguk Performing Arts Center as a special performance in part of interdisciplinary arts of a new concept performance art series, which covers a multicultural discourse through a live talk show. It is a kind of a ‘making theater’ that total four theatres of ‘the Series of Unrespected Death’ created by Kyongju Park based on real stories that she had covered while managing Salad TV, a multicultural broadcasting system, and performed by the Theatre Salad.

There will be several ENG cameras on the stage which looks like the one for broadcasting and that an announcer will lead a talk show. The talk show will be transmitted real time to the broadcasting system in an operating room and edited real time to be broadcasted for 120 minutes through a live channel titled ‘Theater without Actor’ of Ustream. Also, replies made by web users to the moving picture of Ustream will be shown real time in a screen on the stage. Audiences will have an opportunity to directly participate in discussion.

… read more @ Press Release ‘Theater without Actor’

————————————————————————————————————————————————————
‘Theater without Actors and Actresses’ is broadcasted through live-Ustream!

Broadcasting time: same as the running time | LOCAL TIME SEOUL, SOUTH KOREA | @

http://ustre.am/14kgp  ||  http://www.ustream.tv/channel/배우-없는-연극

Date: 8 pm on September 6th, 3 pm and 7 pm on September 7th, and 3 pm on September 8th in 2013
Location: Small hall in Arko Arts Theater, Hanguk Performing Arts Center
Host: Hanguk Performing Arts Center , Salad
Organizer: Salad, Undergroundartchannel
Writer/Planner/Director: Kyongju Park
Media director: Sungsuk Suk
Choreography: Kaseki Yuko
Music: Wolfgang in der Wiesche, Sato Yukie
Stage art: Jaesung Lee
Promotion: Hyoungju Park
Running time: 120 minutes
Cast: Dashmaa Purey, Lorna de Matheo, Gyehwa Kim, Gobchangjeungol, Amarsaikhan Tserennadmid, Tsogtbaatar Uranchimeg, Baldez ma Gleiza, Gono Daiske, etc.
Ticketing: 02-3668-0007 http://www.hanpac.or.kr, Hanguk Performing Arts Center, Interpark, Salad
Ticket price: KRW 25,000
50% discount for the disabled and men of national merit, 30% discount for multicultural family members, 20% discount for members of Hanguk Performing Arts Center
Sponsor: AGI SOCIETY

* The exhibition on ‘Theater without Actors and Actresses’ will be held in the hall one hour before the performance. (free admission)

read more about the theatre, the performance structure, director Kyongju Park and the group SALAD @

Press Release ‘Theater without Actor’ | SALAD HISTORY  |  SALAD HOME

salad

courtesy © Kyong-ju Park, SALAD, 2013

ww self

© ww-2007, self portrait

<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-
upcoming | Vorschau | Wolfgang in der Wiesche participates in:

PARTIZIPIA – DER DEMOKRATISCHE KUNSTPREIS FÜR ALLE II
EVERYONE YOU EVER HAD A RELATION WITH – HOMMAGE AN THE TENT VON TRACY EMIN

@ d-52.raum für zeitgenössische kunst | more information coming soon…

2 Gruppenausstellungen | 2 group exhibitions | 21. & 22. 09. 2013 |
Rather Straße 52 | 40476 Düsseldorf | www.d-52.de

<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-<>-

Wolfgang in der Wiesche